A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Most of the Assyrian architects did likewise. See for example the plan of
Sargon's city, Dour-Saryoukin (Fig. 144). Its circumvallation incloses an
almost exact square, the diagonals of which point to the north, south,
east and west respectively.[399] In the large scale plans that we shall
give farther on of the palace and of some of its parts it will be seen that
the parallelograms of which that building was composed also had their
angles turned to the four cardinal points. It was the same with the
structures sprinkled over the summit of the vast mound of Kouyundjik, in
the centre of what once was Nineveh.
[Illustration: FIG. 145.--General plan of the remains at Nimroud; from
Layard.
1, 2, 3 Trenches, 4 Central palace, 5 Tombs, 6 South-eastern edifice, 7
South-western palace, 8 North-western palace, 9 High pyramidal mound.]
On the other hand in those ruins at Nimroud that have been identified with
the ancient Calah, it is the sides of the mound and of the buildings upon
it that face the four cardinal points (Fig. 145). The plan given by Layard
of the square staged tower disengaged in his last digging campaign at the
north-western angle of the mound shows this more clearly.[400] Nearly half
the northern side is occupied by the salient circular mass that is such a
conspicuous object to one looking at the mound from the plain. We do not
know what caused this deviation from the traditional custom; a reason
should perhaps be sought in the configuration of the ground, and in the
course here followed by the river which then bathed the foot of the
artificial hill upon which stood the royal dwellings of the
Tiglath-Pilesers and Assurnazirpals.
The first of these two methods of orientation had the advantage of
establishing a more exact and well defined relation between the disposition
of the building and those celestial points to which a peculiar importance
was attached. It must also be remembered that such an arrangement gave a
more agreeable dwelling than the other. No facade being turned directly to
the north there was none entirely deprived of sunlight, while at the same
time there was none that faced due south. The sun as it ran its daily
course would light for a time each face in turn.
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