A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
In the ruins of the ancient royal city recovered by M. de Sarzec at Tello
the traces of similar precautions have everywhere been found. In the
middle of the great mass of ruins whose plan we are still awaiting, "I
found," says M. de Sarzec, "at a depth of hardly 30 centimetres (one foot
English) below the original level of the soil four cubical masses
consisting of large bricks cemented with bitumen, and measuring about 80
centimetres across each face. In the centre of each cube there was a cavity
27 centimetres long by 12 wide and 35 deep. In each case this hollow
contained a small bronze statuette packed, as it were, in an impalpable
dust. In one cavity the statuette was that of a kneeling man (Fig. 146), in
another of a standing woman (Fig. 147), in another of a bull (Fig. 148). At
the feet of each statue there were two stone tablets, set in most cases in
the bitumen with which the cavity was lined. One of these tablets was
black, the other white. It was upon the black as a rule that a cuneiform
inscription similar, or nearly so, to the inscriptions on the statuettes
was found."[402]
Abridgments of the same commemorative and devotional form of words are
found upon those cones of terra-cotta that were discovered in such numbers
among the foundations and in the interstices of the structure (Fig.
149).[403]
[Illustration: FIG. 147.--Bronze statuette. 8-1/4 inches high. Louvre.]
The Mesopotamian builder was not satisfied with relying upon talismans
built into the lower part of a building or strewn under the pavements.
Taylor ascertained at Mugheir and Loftus at Sinkara that engraved cylinders
were built into the four angles of the upper stories. A brick had been
omitted, leaving a small niche in which they were set up on end.[404]
Profiting by the hint thus given Sir Henry Rawlinson excavated the angles
of one of the terraces of the Birs-Nimroud at Babylon, and to the
astonishment of his workmen he found the terra-cotta cylinders upon which
the reconstruction of the temple by Nebuchadnezzar is narrated exactly at
the point where he told them to dig.[405] These little tubs are called
cylinders--a not very happy title. As some of them are about three feet
high (Fig. 150) they can take commemorative inscriptions of vastly greater
length than those cut upon small hard-stone cylinders. Some of these
inscriptions have as many as a hundred lines very finely engraved. Many
precious specimens dating from the times of Nebuchadnezzar and his
successors have been found in the ruins of Babylon.[406]
[Illustration: FIG. 148.--Bronze statuette. 10 inches high. Louvre.]
Thus from the beginning to the end of Chaldaean civilization the custom was
preserved of consecrating a building by hiding in its substance objects to
which a divine type and an engraved text gave both a talismanic and a
commemorative value.
Public-domain text, read in full here on John Shaqi.
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