A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
In Mesopotamia, as in Egypt, there were waterways that could be used at any
season for the transport of heavy masses. Quarries were made as near the
banks of the Euphrates and Tigris as possible, and when a stone monster had
to be carried to a town situated at some distance from both those rivers
the canals by which the country was intersected in every direction supplied
their place. Going down stream, and especially in flood time, no means of
propulsion were required; the course of the boats or rafts was directed by
means of heavy oars like those still used by the boatmen who navigate the
Tigris in _keleks_, or rafts, supported on inflated hides; in ascending the
streams towing was called into play, as we know from one of the Kouyundjik
bas-reliefs.[412] In this the stone in course of transport is oblong in
shape and is placed upon a wide flat boat, beyond which it extends both at
the stern and the bows. It is securely fastened with pieces of wood held
together by strong pins. There are three tow ropes, two fastened to the
stone itself and the third to the bow of the boat.
The towers pull upon these cables by means of smaller cords passed round
the shoulders of each and spliced to the main ropes; by such means they
could bring far more weight to bear than if they had been content to hold
the cable in their hands, as in Egypt. The bas-relief in question is
mutilated, but we may guess that a hundred men were attached to each cable,
which would make three hundred in all obeying the single will of the
superintending engineer who is perched upon the stone and directing their
movements. On each flank of the gang march overseers armed with swords and
rattans that would be quick to descend on the back and loins of any
shirker.
More than one instance of such punishment may be seen on the bas-relief
reproduced in part in our Fig. 151. In its lower division two or three of
these slave-drivers may be seen with their hands raised against the
workmen; in one case the latter sinks to the ground beneath the blows
rained upon him. The way in which the whole series of operations is
represented in this Kouyundjik relief is most curious. High up in the field
we often find the king himself, standing in his chariot and urging on the
work. The whole occupies several of Layard's large plates. We can only
reproduce the central group, which is the most interesting to the student
of engineering in ancient Mesopotamia.
[Illustration: FIG. 151.--The transport of a bull. Height of the slab, 7
feet 3 inches; British Museum.]
Public-domain text, read in full here on John Shaqi.
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