A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Further explorations and the decipherment of the texts will one day solve
the problem. Meanwhile we must attempt to determine the nature of
Chaldaeo-Assyrian beliefs as to a future life. We shall get no help from
Herodotus. Intending to describe the manners and customs of the Chaldaeans
in a special work that he either never wrote or that has been lost,[430] he
treated Mesopotamia in much less ample fashion than Egypt, in his history.
All that he leaves us on the subject we are now studying is this passing
remark, "The Babylonians put their dead in honey, and their funerary
lamentations are very like those of the Egyptians."[431] Happily we have
the Chaldaean cemeteries and the sculptured monuments of Assyria to which we
can turn for information. The funerary writings of the Egyptians allow us
to read their hearts as an open book. We know that the men who lived in the
days of the ancient empire looked upon the posthumous life as a simple
continuation of life in the sun. They believed it to be governed by the
same wants, but capable of infinite prolongation so long as those wants
were supplied. And so they placed their dead in tombs where they were
surrounded by such things as they required when alive, especially by meat
and drink. Finally, they endeavoured to ensure them the enjoyment of these
things to the utmost limit of time by preserving their bodies against
dissolution. If these were to fall into dust the day after they entered
upon their new abode, the provisions and furniture with which it was
stocked would be of no use.
The Chaldaeans kept a similar object before them. They neglected nothing to
secure the body against the action of damp, in the first place by making
the sides of their vaults and the coffins themselves water-tight, secondly,
by providing for the rapid escape of rain water from the cemetery,[432]
and, finally, if they did not push the art of embalming so far as the
Egyptians, they entered upon the same path. The bodies we find in the
oldest tombs are imperfect mummies compared with those of Egypt, but the
skeleton, at least, is nearly always in an excellent state of preservation;
it is only when handled that it tumbles into dust. In the more spacious
tombs the body lies upon a mat, with its head upon a cushion. In most cases
the remains of bandages and linen cloths were found about it. Mats,
cushions, and bandages had all been treated with bitumen. A small
terra-cotta model in the British Museum shows a dead man thus stowed in his
coffin; his hands are folded on his breast, and round the whole lower part
of the body the bands that gave him the appearance of a mummy may be
traced.
Public-domain text, read in full here on John Shaqi.
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