A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The countries in which it has been managed with the greatest
power and originality are those whose soil lent itself most kindly to the
work of excavation. The limestone and sandstone chains of the Nile valley,
the abrupt flanks of Persian ravines, of Cappadocian and Lycian hillsides,
and the rocky slopes of Greece and Etruria, were excellently fitted for the
work of the funerary architect.
If the civilization of the Mesopotamian Semites had originated in the
country above Nineveh, at the foot of those hills in which the Tigris has
its springs, the fathers of the people would perhaps have cut tomb chambers
like those of Egypt in the soft gypsum, and, in later years, their
descendants, instead of breaking entirely with the traditions of the past
would have raised _tumuli_ in the plains and constructed within them brick
chambers to take the place of vaults cut in the living rock. Chaldaea would
then have been dotted over with sepulchral mounds like those with which the
steppes of central Russia are covered. Nothing of the kind has as yet been
discovered; none of the _tells_ or mounds of sun-dried bricks have yet been
identified as tombs, and that is because, as we have seen, the course of
civilization was from south to north; the first impulse came from the
shores of the Persian Gulf, from the people inhabiting alluvial plains
consisting merely of sand and broken stone. From the very first hour these
people had to compel clay, kneaded and dried in the sun or the brick kiln,
to render the services which are demanded from stone elsewhere. They were
content therefore with entombing their dead either in small brick vaults,
under large terra-cotta covers, or in coffins of the latter material.
The tomb chamber illustrated in our Fig. 89 may be taken as a type. It is
five feet high by seven feet long, and three feet seven inches wide. The
vault is closed at the top by a single row of bricks and at each end by a
double wall of the same material. There are no doors. The tombs once shut
must have been inaccessible. The structure was put together with such care
that neither dust nor water could get within it. Some of these graves, and
among them this particular one, inclosed only one skeleton. Taylor found
fourteen clay vases in it, not to mention other objects such as a walking
stick, rings, cylinders, and bronze cups. Besides these there was a gold
waist-band about an inch wide, showing it to be the grave of a rich man. In
other tombs as many as three, four, and even eleven skeletons were found.
In these the brick under the head and the bronze cup in the hand were
sometimes missing, but the water jars were always there.
[Illustration: FIG. 163.--Tomb at Mugheir; from Taylor.]
Public-domain text, read in full here on John Shaqi.
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