A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Finally the fashion seems to have changed, and a more elegant form of
coffin to have come into use. It was still of terra-cotta, but its surface
was covered with a rich glaze originally blue but now mostly of a dark
green. Here and there, on the parts shielded best from the atmosphere, the
blue has preserved its colour. The general shape of these coffins is that
of a shoe or slipper; the oval opening through which the body was
introduced has a grooved edge for the adjustment of the lid. The small hole
for the escape of gas is at the narrow end. This type seems to date from
the last centuries of antiquity rather than from the time of the Chaldaean
Empire; its examples are found close to the surface of the cemeteries,
whence we may fairly conclude that they were the last accessions. It is
still more significant that the images stamped upon the panels with which
the lids are decorated have little to remind us of the bas-reliefs of
Assyria and Chaldaea, and it is not until we turn to the medals of the
Parthians and Sassanids that we find anything to which they can be readily
compared.[444]
In the cemeteries of Lower Chaldaea the various receptacles for human dust
that we have described are heaped vertically one upon another, so that with
the passage of time they have formed huge mounds covering vast spaces and
rising conspicuously above the plain (see Fig. 167, letter c). Loftus tells
us that at Warka he dug trenches between thirty and forty feet deep without
reaching the lowest stratum of sepulchres. There was no apparent order in
their arrangement. Sometimes brick divisions were found for a certain
length, as if used to separate the tombs of one family from those of
another. A layer of fine dust, spread evenly by the winds from the desert,
separated the coffins. Terra-cotta cones inscribed with prayers had been
thrown into the interstices. Sometimes, as at Mugheir, the mound thus
formed is surmounted by a paved platform upon which open the drains that
traverse the mass.[445] In most cases these mounds have been turned over in
all their upper parts by the Arabs. It is probable that in ancient days
each of these huge cemeteries had priests and superintendents told off to
watch over them, to assign his place to each new comer, and to levy fees
like those paid in our day to the mollahs attached to the Mosques of Nedjef
and Kerbela. They guarded the integrity of the mound, and when it had
reached the regulation height, caused it to be paved and finally closed.
Public-domain text, read in full here on John Shaqi.
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