Loftus suggests that these royal tombs should be sought at Warka, but he found no ruin to which any such character could be certainly assigned. The only mention of a royal Assyrian tomb in history is of a kind that tells us nothing. "Semiramis," says Diodorus, "buried Ninus within the boundary walls of the palace, she raised a mound of extraordinary size over his tomb; Ctesias says it was nine stades high and ten wide. The town stretching to the middle of the plain, near the Euphrates,[450] the funerary mound was conspicuous at many stades' distance like an acropolis; they tell me that it still exists although Nineveh was overthrown by the Medes when they destroyed the Assyrian empire." The exaggerations in which Ctesias indulged may here be recognized. It is impossible to take seriously statements which make the tomb of Ninus some 5,500 feet high and 6,100 in diameter. The history of Ninus and Semiramis as Ctesias tells it, is no more than a romantic tale like those of the _Shah-Nameh_. All that we may surely gather from the passage in question is that, at the time of Ctesias, and perhaps a little later, the remains of a great staged-tower were to be seen among the ruins of Nineveh. The popular imagination had dubbed this the tomb of Ninus, just as one of the great heaps of debris that now mark the site is called the tomb of Jonah. All that has hitherto been recovered in the way of Mesopotamian tomb architecture is of little importance so far as beauty is concerned, and we may perhaps be blamed for dwelling upon these remains at such length in a history of art. But we had our reasons for endeavouring to reunite and interpret the scanty facts by which some light is thrown on the subject. Of all the creations of man, his tomb is that, perhaps, which enables us to penetrate farthest into his inner self; there is no work of his hands into which he puts more of his true soul, in which he speaks more naively and with a more complete acknowledgment of his real beliefs and the bases of his hopes. To pass over the Chaldaean tomb in silence because it is a mediocre work of art would be to turn a blind eye to the whole of one side of the life of a great people, a people whose _role_ in the development of the ancient civilization was such as to demand that we should leave no stone unturned to make ourselves masters of their every thought. NOTES: [444] LOFTUS, _Travels_, &c., pp. 203-4. The British Museum possesses several fine specimens of these glazed-ware coffins. The details given by LOFTUS (chapter xx.), upon the necropolis of Sinkara may be read with interest. [445] See above, p. 158, and fig. 49. [446] M. Stanislas GUYARD published a translation of this passage in the _Journal asiatique_, for May-June, 1880, p. 514; some terms which had remained doubtful, were explained by M. AMIAUD, in the same journal for August-September, 1881, p. 237. [447] HERODOTUS, i. 187. [448] LOFTUS, _Travels_, &c., pp. 248-9. [449] ARRIAN, _Anabasis_, vii. 22.