A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
A glance at our longitudinal section (Fig. 169) will show that we have left
the main body of this great mass of sun-dried brick absolutely solid. It
was in vain that, at Mugheir, trenches and shafts were cut through the
flanks of the ruin, not a sign of any apartment or void of the most
elementary kind was found.[462]
This Mugheir temple rises hardly more than fifty feet above the level of
the plain. The restoration by M. Chipiez, for which it furnished the
elements, shows a height of 135 feet; judging from the proportions of its
remains the building can hardly have been higher than that. But it is
certain that many temples reached a far greater height, otherwise their
size could not have made any great impression upon travellers who had seen
the Egyptian pyramids. Even now the Birs-Nimroud, which has been undergoing
for so many centuries a continual process of diminution, rises no less than
235 feet above the surrounding country,[463] and Strabo, the only Greek
author who says anything precise as to the height of the greatest of the
Babylonian monuments, writes thus: "This monument, which was, they say,
overthrown by Xerxes, was a square pyramid of burnt brick, one stade
(606-3/4 feet) high, and one stade in diameter."[464]
The arrangement by which such a height could be most easily reached would
be the superposition of square masses one upon another, each mass being
centrally placed on the upper surface of the one below it. The weight would
be more equally divided and the risks of settlement more slight than in any
other system. Of this type M. Chipiez has restored two varieties. We shall
first describe the simpler of the two, which we may call the SQUARE
SINGLE-RAMPED CHALDAEAN TEMPLE (Figs. 173, 174, 175, 176).
Public-domain text, read in full here on John Shaqi.
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