A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The attraction of desire and the union of the sexes leads to the birth of
the child; with the appearance of the latter the family is complete, and,
with it, the type upon which the triple classification of the gods was
founded. But even when we attempt to trace the composition of a single
group and to assign his proper place to each of its members, the
embarrassment is great. We find a single god sometimes filling, to all
appearance, the _role_ of husband and father, and sometimes that of the
son; or a single goddess acting at different times as the wife and daughter
of one and the same god. Some of these apparent contradictions must be
referred to the want of certainty in our interpretation of the
inscriptions, some to the floating quality of the conceptions to which they
relate. It may never, perhaps, be possible to make out a complete list, or
one which shall not be obnoxious to criticism on other grounds; moreover,
the historian of art has no need to enter into any such discussion, or to
give the details of a nomenclature as to which Assyriologists themselves
have many doubts. It suffices that he should point out the multiplicity of
couples and triads, the extreme diversity of deities, and thus indicate a
reason for the very peculiar aspect of the cylinders and engraved stones of
Chaldaea, for the complex forms of the gods, and for the multitude of varied
symbols which encumber the fields of her sculptured reliefs. Some of the
figures that crowd these narrow surfaces are so fantastic that they
astonish the eye as much as they pique the curiosity (see Fig. 17).
[Illustration: FIG. 17.--A Chaldaean Cylinder: from Menant's _La Bible et
les Cylindres Chaldeens_.]
The number of divine types and the consequent difficulties of
classification are increased, as in Egypt, by the fact that every important
town had its local deities, deities who were its own peculiar gods. In the
course of so many centuries and so many successive displacements of the
political centre of gravity, the order of precedence of the Mesopotamian
gods was often changed. The dominant city promoted its own gods over the
heads of their fellows and modified for a time which might be long or
short, the comparative importance of the Chaldaean divinities. Sin, the moon
god, headed the list during the supremacy of Ur, Samas during that of
Larsam. With the rise of Assyria its national god, Assur, doubtless a
supreme god of the heavens, acquired an uncontested pre-eminence. It was in
his name that the Assyrians subdued all Asia and shed such torrents of
blood. Their wars were the wars of Assur; they were undertaken to extend
his empire and to glorify his name. Hence the extreme rigour, the hideous
cruelty, of the punishments inflicted by the king on his rebellious
subjects; he was punishing heretics and apostates.[110]
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