A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
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In this rapid analysis of the beliefs held by the dwellers on the Tigris
and Euphrates, we have made no attempt to discriminate between Chaldaea and
Assyria. To one who looks rather to similarities than to differences, the
two peoples, brothers in blood and language, had, in fact, but one religion
between them. We possess several lists of the Assyrian gods and goddesses,
and when we compare them we find that they differ one from the other both
in the names and numbers of the deities inscribed upon them; but, with the
exception of Assur, they contain no name which does not also belong to
Chaldaea. Nothing could be more natural. Chaldaea was the mother-country of
the Assyrians, and the intimate relations between the two never ceased for
a day. Even when their enmity was most embittered they could not dispense
the one with the other. Babylon was always a kind of holy city for the
kings of Assyria; those among them who chastised the rebellious Chaldaeans
with the greatest severity, made it a point of honour to sacrifice to their
gods and to keep their temples in repair. It was in Babylon, at Borsippa,
and in the old cities near the coast, that the priests chiefly dwelt by
whom the early myths had been preserved and the doctrines elaborated to
which the inhabitants of Mesopotamia owed the superiority of their
civilization. The Assyrians invented nothing. Assur himself seems only to
have been a secondary form of some Chaldaean divinity, a parvenu carried to
the highest place by the energy and good fortune of the warlike people
whose patron he was, and maintained there until the final destruction of
their capital city. When Nineveh fell, Assur fell with her, while those
gods who were worshipped in common by the people of the north and those of
the south long preserved their names, their fame, and the sanctity of
their altars.
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