A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
That such works did once exist we are told by the Greek historians.
Herodotus, after having described the temple of Bel and the sanctuary
on its summit in which no image of the deity was set up, goes on, “In
this temple at Babylon there is another sanctuary lower down, _where
a great seated statue of Zeus may be seen_.[231] Near this statue
there is a large table of gold, the throne and its steps are of the
same material. The whole, according to the Chaldæans, is worth eight
hundred talents of gold ... at one time the sacred inclosure also
contained a statue of massive gold twelve cubits high. I did not see
it. I content myself with repeating what the Chaldæans told me about
it. Darius, the son of Hystaspes, formed a project to carry it off, but
he did not dare to execute it. Xerxes, the son of Darius, caused the
priest to be put to death by whom the enterprise was opposed, and took
possession of the statue.” We here have the evidence of an eye-witness.
The seated statue of Bel, without being of the colossal size ascribed
by the Chaldæans to the image destroyed by Darius, must yet, if we may
judge from the expression of Herodotus, have been larger than nature.
We may gather some notion as to its pose and general appearance from
certain figures carved upon the cylinders (Fig. 40), just as, in
Greece, the more famous and venerable of her religious statues were
reproduced upon coins and gems. As to this Babylonian statue, the one
doubt we have relates to the value put upon it by the Chaldæans. Had
the statue and its surroundings really been of massive gold, would the
Persians have spared it when the other was overthrown and broken up?
It is possible that in spite of the historian’s assertion the work he
describes was only gilded bronze.
Public-domain text, read in full here on John Shaqi.
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