A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
It was only towards the end of this period that more unkindly stones
began to be used, such as jasper and the different kinds of agate,
onyx, chalcedony, rock-crystal, garnets, &c. The employment of such
materials implies that of the characteristic processes of gem-cutting,
whose peculiarity consists in the substitution of friction for cutting,
in the supercession of a pointed or edged tool by a powder taken from a
substance harder, or at least as hard, as the one to be operated upon.
“The modern engraver upon precious stones,” says M. Soldi, “sets about
his work in this fashion. He begins by building up a wax model of his
proposed design upon slate. He then takes the stone to be engraved, and
fixes it in the end of a small wooden staff. This done he makes use,
for the actual engraving, of a kind of lathe, consisting of a small
steel wheel which is set in motion by a large cast-iron flywheel turned
by the foot. To the little wheel are attached small tools of soft
iron, some ending in a rounded button, others in a cutting edge. The
craftsman holds the staff with the stone in his left hand; he brings
it into contact with the instrument in the lathe, while, from time to
time, he drops a mixture of olive oil and diamond dust upon it with his
right hand; with the help of this powder the instrument grinds out all
the required hollows one after the other.”[303]
[Illustration: FIG. 138.--Engraved shell. British
Museum.]
The first engravers who attacked precious stones had no diamond dust.
They supplied its place with emery powder, which was to be found in
unlimited quantities in the islands of the Archipelago, whence it was
imported by the Phœnicians at a very early date. Moreover there was
nothing to prevent them crushing the precious stones belonging to the
class called _corundum_, such as sapphires, rubies, amethysts,
emeralds, and the oriental topaz. No doubt the lathe or wheel was a
comparatively late invention. M. Soldi thinks it hardly came into use
in Mesopotamia till about the eighth century B.C. Before that the
continuous rotary movement that was so necessary for the satisfactory
conduct of the operation was obtained by other means. According to M.
Soldi they must have employed for many centuries a hand-drill turned by
a bow, like that of a modern centre-bit or wimble.[304]
[Illustration: FIG. 139.--Chalcedony cylinder. British
Museum.]
[Illustration: FIG. 140.--Cylinder of black jasper.
British Museum.]
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