A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
It is when they grow old that both nations and individuals turn their
attention to ease and comfort. The Chaldees were long contented with
the cylinder, although, as a seal, it was a very imperfect contrivance.
The ancient monarchy never seems to have made use of flat signets. The
impression of one has been sought for in vain on those contracts of
the time of Hammourabi, where so many cylinders have left their mark.
The oldest document on which the trace of a circular seal has been
recognized belongs to the northern kingdom, and dates from the reign
of Bin-Nirari, who occupied the throne of Assyria towards the end of
the ninth century B.C. From this moment the use of the cone becomes
rapidly common. Under the Sargonids, and still more during the second
Chaldee monarchy and under the Achæmenids, it superseded the cylinder.
The dates inscribed on the tablets prove their age; the space on the
cones themselves was too narrow, as a rule, for a legend. On a few
specimens we find one or two characters engraved, generally a divine
monogram or the traditional emblems of the sidereal powers. A few cones
have inscriptions in Aramaic characters (see Fig. 157); on the example
figured we again encounter the strange composite beast we have already
seen upon a stone tablet and a cylinder (Figs. 87 and 141). In spite
of the alphabet employed, this cone must have been engraved either in
Nineveh or its neighbourhood.
The narrowness of the field explains the want of variety in the
subjects. In a small circle like this there was no room for more than
a single figure with a few accessories, or, at most, for two figures.
We cannot expect to find scenes as varied and complicated as those upon
the cylinders. A very small number of the simplest themes formed the
stock-in-trade of the engraver.
Public-domain text, read in full here on John Shaqi.
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