A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Before we quit the subject of glass we must not forget to mention
a very curious object found by Layard at Nimroud, in the palace of
Assurnazirpal, and in the neighbourhood of the glass bottle and the
two alabaster vases on which the name of Sargon appears. It is a lens
of rock-crystal; its convex face seems to have been set up, with some
clumsiness, opposite to the lapidary on his wheel. In spite of the
imperfect cutting, it may have been used either as a magnifying, or,
with a very strong sun, as a burning, glass.[373] The fineness of the
work on some of the cylinders, and the minuteness of the wedges on some
of the terra-cotta tubs, had already excited attention, and it was
asked whether the Assyrians might not have been acquainted with some
aid to eyesight like our magnifying glass. It is difficult, however,
to come to any certain conclusion from a single find like this; but if
any more lenses come to light we may fairly suppose that the scribes
and lapidaries of Mesopotamia understood how thus to reinforce their
eyesight. In any case it is pretty certain that this is the oldest
object of the kind transmitted to us by antiquity.
§ 2. _Metallurgy._
Even at the time to which we are carried back by the oldest of the
graves at Warka and Mugheir, metallurgy was already far advanced in
Chaldæa. Tools and weapons of stone are still found in those tombs in
great numbers;[374] but side by side with them we find copper, bronze,
lead, iron, and gold. Silver alone is absent.
Public-domain text, read in full here on John Shaqi.
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