A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
All these metals, and especially iron and copper, were dearer perhaps
in Chaldæa than in Assyria, because Babylon was farther from the
mineral region than Nineveh; but the southern artizans were no less
skilful than their northern rivals. In our review of the metal
industries we shall borrow more frequently from the north than from the
south, but the only reason for the inequality is that Chaldæa has never
been the scene of exhaustive and prolific excavations like those of
Assyria.
§ 3. _Furniture._
Cursing Nineveh and exulting in the prospect of her fall, the prophet
Nahum calls to all those who had been crushed by the Assyrian hosts; he
summons all the nations of the east to take their part in the work of
revenge and their share in the spoil to be won. “Take ye the spoil of
silver,” he cries, “take ye the spoil of gold; for there is none end of
the store and glory out of all the pleasant furniture.”[389] We shall
find all this among our spoils of Nineveh. The princes and nobles of
Assyria seem to have had a peculiar love for luxurious furniture. To
see this we have only to look at the bas-reliefs, where the artist took
the greatest care to imitate every detail of the thrones on which he
placed his gods and kings; and many fragments of these richly decorated
chairs have been recovered in the course of the excavations; with the
help of the sculptures they could be put together and the missing
parts supplied. The elements of many such restorations exist in the
British Museum, and we may well ask why no attempt has been made to
reconstitute an Assyrian throne with their help, so as to give an exact
idea of the kind of state chair used by a Shalmaneser or a Sennacherib.
In order to carry out such a restoration successfully we should have
to begin by renewing all the wooden parts of the piece, the legs, back
and cross-bars. Wood alone could be used for such purposes. Metal
would be too heavy if solid, and not stiff and firm enough if hollow.
We have, besides, direct proof that the Assyrian joiner so understood
his work. “I found among the ruins,” says one explorer, “small bulls’
heads of copper, _repoussé_ and carefully chased, inside of
which a few fragments of dried wood still remained. These pieces had
certainly belonged to chairs exactly similar to those figured in the
reliefs.”[390]
Public-domain text, read in full here on John Shaqi.
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