A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The first vague presentiment and rough sketch, as it were, of certain
theories that have made a great noise in the world in our own day,
may be traced, it is asserted, in the cosmogonic writings of ancient
Chaldæa. Even the famous hypothesis of Darwin has been searched for
and found, if we may believe the searchers. In any case it seems
well established that the echo of these speculations reached the
Ionian sages who were the fathers of Greek philosophy. Their traces
are perceptible, some scholars declare, in the _Theogony_ of
Hesiod. Possibly it is so; there are certainly some striking points
of resemblance; but where the influence of such ideas is really and
clearly evident is in those philosophic poems that succeeded each other
about the sixth century B.C., all under the same title: _concerning
nature_ (περὶφύσεως).[464] These poems are now lost, but judging
from what we are told by men who read them in the original, the
explanation they gave of the creation of the world and of the first
appearance upon it of organized beings, differed only in its more
abstract character from that proposed many centuries before, and under
the form of a myth, by the priests of Chaldæa. If we may trust certain
indications, these bold and ingenious doctrines crossed over from Ionia
to the mainland of Greece, and reached the ears of such writers as
Aristophanes and Plato.
It does the greatest honour to Chaldæa that its bold speculations
should have thus contributed to awaken the lofty intellectual ambitions
and the scientific curiosity of Greece, and perhaps she may have
rendered the latter country a still more signal service in teaching her
those methods by whose use man draws himself clear of barbarism and
starts on the road to civilization; a single example of this will be
sufficient. It is more than forty years since Bœckh, and Brandis after
him, proved that all the measures of length, weight and capacity used
by the ancients, were correlated in the same fashion and belonged to
one scale. Whether we turn to Persia, to Phœnicia or Palestine, to
Athens or Rome, we are constantly met by the sexagesimal system of the
Babylonians. The measurements of time and of the diurnal passage of the
sun employed by all those peoples, were founded on the same divisions
and borrowed from the same inventors. It is to the same people that
we owe our week of seven days, which, though not at first adopted by
the western nations, ended by imposing itself upon them.[465] As for
astronomy, from a period far away in the darkness of the past it seems
to have been a regular branch of learning in Chaldæa; the Greeks knew
very little about it before the conquests of Alexander; it was more
than a century after the capture of Babylon by the Macedonians that the
famous astrological tables were first utilized by Hipparchus.[466]
Public-domain text, read in full here on John Shaqi.
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