A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
P. 219.--We have here omitted to draw attention to one of the
differences between the art of the Sargonids and that of the preceding
dynasty. In the figures from Tello and in the bas-reliefs of the time
of Assurnazirpal the sculptor has left the eyeballs smooth (Plate VII.;
Vol. I. Fig. 15; Vol. II, Figs. 43, 64, 113). In the sculptures of the
time of Sargon and his successors, on the other hand, the cornea is
indicated in the figures both of men and animals, by a clearly traced
circle (Vol. I, Figs. 22 and 25; Vol. II. Fig. 118 and Plate X.). It
was, no doubt, the desire to give a more lifelike expression to the
physiognomy that led the artist thus to modify his proceeding. There
are a few figures in which the desire for imitative truth is pushed
even farther. In a bas-relief in the Louvre there is an eagle-headed
deity in which not only the cornea but the pupil also is marked by a
smaller circle within the first. See the _De l’Expression des Yeux dans
la Statuaire_ of Doctor DEBROU (_Correspondant_, April 10th, 1883). His
special knowledge has enabled him to make more than one remark upon the
representation of the eye in ancient and modern sculpture, to which
writers upon art would do well to pay attention.
P. 398.--On the subject of the female divinity whose worship was so
widely spread over the whole East and over the Mediterranean coasts,
the dissertation of Herr GELZER, _Zum Cultus der Assyrischen
Aphrodite_ (Lepsius’s _Zeitschrift_, 1875, p. 127) may be
consulted with profit.
* * * * *
We received the admirable _Guide to the Kuyundjik Gallery_,
published by the authorities of the British Museum, too late to make
use of it for our work. It joins to an exhaustive account of the
bas-reliefs of Sennacherib and Assurbanipal a description of the
smaller objects contained in the glass cases of the same gallery. Many
of these objects date from a very early period, and many were found
in Chaldæa. Some of the more interesting texts are translated by Mr.
Pinches; of others he gives a summary. The body of the work is preceded
by an introduction giving such details of Assyrian history, religion
and manners as are required by the general student. When a similar
_brochure_ is forthcoming for the Nimroud gallery--and the energy
of the English officials is a guarantee that we shall not have to wait
long for it--visitors to the museum will be in possession of all that
is necessary to enable them to profit to the fullest extent by its
superb collection.
[Illustration]
INDEX.
A
Abd-al-Medjid, Sultan, ii. 39.
Abdul-Hamid, ii. 76.
Abou-Abba (or Sippara), i. 200.
Abou-Sharein, i. 157, 190, 262; ii. 34.
Abraham, i. 15, 199.
Abydenus, i. 51;
spoken of by Eusebius, 57.
Abydos, on the Hellespont, ii. 220.
Accad, i. 14, 21, 59.
Acheron, i. 354.
Adar (Saturn?), i. 73.
Adrammelech, i. 103.
Public-domain text, read in full here on John Shaqi.
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