A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
[66] HERODOTUS, i. 186; DIODORUS, ii. viii. 2. Diodorus, following
Ctesias, greatly exaggerates the length of the bridge when he puts it
at fifty-five stades (3,032 feet). Even if we admit that the Euphrates,
which in ancient times lost less of its waters in the adjoining marshes
than it does now, was then considerably wider than at present, we can
hardly account for such a difference. On the subject of this bridge see
OPPERT, _Expédition_ &c., vol. i. pp. 191–193.
[67] LAYARD, _Discoveries_, p. 489.
[68] See OPPERT, _Expédition_ &c., vol. i. pp. 184, 185. HERODOTUS
mentions these quays (ii. 180, 186). DIODORUS (ii. viii. 3), gives
them a length of 160 stades (nearly 18½ miles), which seems a great
exaggeration.
[69] HERODOTUS, i. 180.
[70] And this makes us think that the streets were narrow, a conjecture
confirmed by the words of Herodotus. In speaking of the doors above
mentioned by which the river was reached, he does not use the word
πύλαι, but πυλίδες, its diminutive. If these doors were so small, the
streets must have been lanes.
[71] This we gather from more than one phrase of the historian (ii. 183
and 196).
[72] DIODORUS, ii. viii, 3
[73] All that he says is that it was on the Tigris (i. 193), that it
had a king called Sardanapalus (ii. 150), and that it was taken by the
Medes (i. 103, 106).
[74] _Anabasis_, iii. 4.
[75] DIODORUS, ii. iii. 2, 3.
[76] Line 35 of the _Cylinder of Bellino_, after Pongnon
(_l’Inscription de Bavian_, p. 25, in the _Bibliothèque de l’École des
Hautes-Études_).
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