A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
This use of gates has not been abandoned in the East. At Mossoul, for
instance, the entrances to the city are buildings with several rooms
in them, and in the gate opening upon the Tigris M. Place often saw
the governor of the province seated among his officers in an upper
chamber and dispensing justice.[96] In the same town the doorways
of a few great private houses are frequented in the same fashion by
the inhabitants of the quarter. This was the case with the French
Consulate, which was established in a large house that had been the
ancestral home of a family of independent beys, now extinct. At the
entrance there was a chamber covered with a depressed cupola and
surrounded by stone benches. Right and left were four lodges for
porters, and on one side a staircase leading to four upper rooms built
over the vault. One of these served as a divan. All this was separated
by a large courtyard from the dwelling place proper, and even after
the building had become a part of France, the neighbours kept up their
habit of coming to sit and gossip under its dome.[97]
The word _porte_ has thus acquired a significance in every
European language that could hardly be understood but for the light
thrown upon it by such customs as those illustrated by the remains of
Assyrian architecture, and alluded to so often in the sacred writings.
Every one who has visited Stamboul, has seen in the first court of the
Old Seraglio, that arched doorway (_Bab-i-Houmaioun_) in whose
niches the heads of great criminals and rebellious vassals used once
to be placed; it formerly led to the saloons in which the Ottoman
sultans presided at the great council, listened to the reports of
their officers, and received foreign ambassadors. The doorway through
which the august presence was reached ended by representing in the
imagination of those who passed through it; first, the whole of the
building to which it belonged, and secondly, the sovereign enthroned
behind it. The decrees in which the successors of Mohammed II. made
known their will ended with these words: “_Given at our Sublime
Gate, at our Gate of Happiness_.” In later years the Old Seraglio
was abandoned. The different public departments were removed into a
huge edifice more like a barracks than an eastern palace, but the
established formula was retained. In the Constantinople of to-day “to
go to the Porte” means to go to the government offices, and even the
government itself, the sultan, that is, and his ministers, are known
in all the chancelleries of Europe as _the Porte_, _the Sublime
Porte_, _the Ottoman Porte_.
It was, no doubt, by a metonomy of the same kind that the capital of
ancient Chaldæa, the town into which the principal sanctuaries of the
national gods were gathered, was called _Bab-ilou_, the _Gate of
God_, which was turned by the Greeks into Βαβυλών, or Babylon.
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