A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
After our careful description of the remains left by the city of
Sargon we need enter into few details as to the other fortified
_enceintes_ that have been explored in Mesopotamia. The same
rectangular plan, the same thick walls and carefully arranged gateways
are to be found in them all. With the Assyrians as with their
neighbours, every town was fortified. The square form seems to have
been universally employed for the flanking towers. It is quite by
exception that we find in one of the pictures of a siege on the Balawat
gates, tall and slender towers that appear to be round on plan and to
be much higher than the curtain they defend (Fig. 28). Besides these
town walls there were, no doubt, at the mouths of the valleys opening
into the basin of the Tigris, strong forts and isolated towers, perched
upon some abrupt rock or ridge: the siege of such a fortress seems
to be going on in the relief figured on the next page (Fig. 29). The
platform at the top of the tower seems to be raised and strengthened
by a structure of wood, which stands out beyond the crenellations and
is protected by a row of shields, like the bulwarks of a Roman galley.
This contrivance resembles those _ourdeys_ of which the military
engineers of the middle ages made such constant use. The garrison still
show a bold front from behind their defences, but the women and old
men, foreseeing the fall of their stronghold, are decamping while there
is yet time.
[Illustration: FIG. 28.--Fortified wall; from the
Balawat gates. British Museum.]
The military successes of the Assyrians are partly to be explained by
their engineering skill. In all that concerned the attack and defence
of places they seem to have left the Egyptians far behind. In addition
to mines and battering rams they employed movable towers which they
pushed forward against such walls as they wished to attack point blank,
and thought either too high or too well lined with defenders to be open
to escalade (Vol. I., Fig. 26). In the relief partly reproduced on page
75, the defenders have not ceased their resistance, but in the lower
section, in what we may call the _predella_ of the picture, we
see a long band of prisoners of both sexes being led off by soldiers.
These we may suppose to be captives taken in the suburbs of the
beleaguered city, or in battles already won.[98]
[Illustration: FIG. 29.--Siege of a fort; from Layard.]
Public-domain text, read in full here on John Shaqi.
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