A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
We have already given more than one example of how the Chaldæan
intellect set about the manifestation of its ideas as to gods and
demons, how it expressed their characteristics by heterogeneous forms
borrowed from various real animals. The powers of evil were first
embodied in this fashion (Vol. I. Figs. 6, 7, 161, 162). The sculptor
went far afield to find the elements of ugliness that he wished to
combine in a single being; this is nowhere to be better seen than in
a bronze statuette belonging to the Louvre (Fig. 32). Here too we are
better informed than usual. An inscription engraved on the back tells
us that this is the demon of the south-west wind, the most scorching
and generally unpleasant of the winds that visit Mesopotamia. The ring
in the head served to hang it up in front of the window or doorway
of a house. Thanks to such a precaution, the inhabitants of that
dwelling would be protected against the ill effects of the parching
breath of the desert. The sculptor has wished to make this tyrant of
the atmosphere as hideous and repulsive as possible, and he has only
succeeded too well. One can hardly imagine anything more frightful
than his grinning, quasi-human countenance, resembling a death’s head
in some of its lines; the great round eyes and goat’s horns with which
it is surrounded add to its deformity. Its meagre body has some hints
at hair on its right side. The hands are large and flat, the fingers
short and blunt, while the feet are a curious combination of human
extremities with the talons of a bird of prey.
On the other hand this mixture of forms is by no means repulsive in the
case of certain personages who appear to belong either to the class
of beneficent genii or to that of the great deities of the Chaldee
pantheon. The combination is especially well managed in the winged
bulls. The head is that of a man, but about the tiara with which it
is crowned several pairs of horns are bent. These horns are among
the attributes of the beast by whose nature this complex being is
dominated. They are part of the offensive armament of the one animal
which enjoys in popular esteem an equal reputation for strength with
the lion. The body and limbs, too, are those of a bull, while the curly
main recalls that of the king of beasts. The whole is completed by a
pair of large wings borrowed from the eagle.
[Illustration: FIG. 32.--The demon of the South-West
Wind. Louvre. Actual size.
Drawn by Saint-Elme Gautier.]
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