A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The origin of such a notion is to be sought, perhaps, so far as
Mesopotamia is concerned, in a wise hygiene and in the rapid changes
of an uncertain climate. The difference between the extremes of summer
and winter temperature is far greater than in Egypt or on the Ionian
coasts, and precautions had to be taken at one time against a scorching
sun, at another against the cold of the nights. However this may
have been, it is certain that these people, although they lived in
a hot country, went about in a costume that covered their bodies as
completely as that of modern Europe. It consisted of a long tunic, a
_tunica talaria_ (?) as the Romans would call it, and a mantle.
The tunic left nothing exposed but the head and neck, the forearms, and
the feet and ankles. It must have been of linen or hempen cloth;[107]
when worn by a rich man it was embroidered and decorated about the
foot with a sort of gimp fringe. The tunics of the poor were short and
plain, often coming hardly lower than the knee. They were also looser
and better fitted to work in; but they are never wanting altogether,
even to the men of the _corvée_, the slaves and prisoners of war
whom we see employed in the construction of the royal buildings (Vol.
I. Figs. 151 and 152). Women were dressed in chemises coming down to
their feet (Vol. I. Fig. 30), resembling the long robe of coarse blue
cotton which still forms the only garment of the peasant women of Egypt
and Syria. Sometimes we find a sort of cape thrown over the tunic (Vol.
I. Fig. 31, and below, Fig. 44).
[Illustration: FIG. 43.--Merodach or Marduk-idin-akhi.
From a basalt stele in the British Museum. Height 24 inches.
Drawn by Saint-Elme Gautier.]
As for the mantle, it was a fringed shawl, and, like the Greek _peplos_
or the Roman _toga_, could be arranged in many different ways. In
the painting at Beni-Hassan which shows us the arrival in Egypt of a
band of Asiatic emigrants,[108] it leaves one shoulder and both arms
uncovered, and forms a kind of frock round the body, which it entirely
conceals. In the old Chaldæan statues from Sirtella the arrangement
is more graceful (see Plate VI.); the piece of cloth is folded double
and carried obliquely round the body so as to cover the left arm and
shoulder and leave the right bare. The end is simply passed under
the first fold, by which it is tightly held.[109] There is no trace
of a tunic. In Assyria the mantle was variously arranged. It always
left one shoulder free, which was covered, however, by the tunic. As
a rule it reached to the feet (Vol. I. Fig. 22), but sometimes it was
so contrived as to leave one leg exposed from the knee downwards. The
robes of Sargon praying before the sacred tree are thus arranged (Fig.
45).
[Illustration: FIG. 44.--Captives on the march. From the
palace of Sennacherib.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account