A history of art in Chaldæa & Assyria, Vol. 2 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 2 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The universal acceptance of this type is proved chiefly by the
Assyrian sculpture. The fact is that among all the thousands of figures
it produced there are but two heads, the one with, the other without, a
beard. We have already encountered the first in all the scenes in which
the king, his ministers, his officers or his soldiers appear. It is
also used for the gods (Vol. I. Figs. 13 and 15) and the winged bulls,
whose heads, perhaps, like the Egyptian sphinxes, were supposed to be
reproductions of the royal features. The beardless variety seems, in
the royal processions, to be confined to those eunuchs who have always
played such an important part at Oriental courts (Vol. I. Figs. 23 and
24, and Vol. II. Plate X.); the fleshy heaviness of their cheeks and
necks (Fig. 65) has been thought to confirm this idea. But we should be
mistaken if we recognized these miserable beings in all the beardless
figures. The latter are so numerous in some compositions that no such
explanation is admissible. In many instances they seem to represent
people of the lowest class, peasants, labourers, and slaves (see Vol.
I. Figs. 45, 151, 152, and Vol. II. Figs. 44 and 48). As the oldest
sculptures of Chaldæa suffice to prove, the habit of wearing the hair
and beard long did not date from the earlier years of that country. In
those sculptures we find heads completely shaved. It is possible that
the ancient custom was changed when the formidable army to which
Assyria owed its power and fortune was created. The beard may then have
become, as the moustache used to be with us, a sign of the military
caste. We never find soldiers or their officers without it;[159] but
their hair and beards are shorter than those of the king and his
ministers (Fig. 66); they do not fall upon the chest and shoulders
in several rows of curls carefully arranged.[160] In the reliefs the
amplitude and length of the beard are always a sign of the highest rank.
[Illustration: WINGED BULL
FROM KHORSABAD
Louvre]
[Illustration: FIG. 66.--Assyrian soldier; from the
Louvre. Height of slab 2 feet.]
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