A History of Booksellers, the Old and the NewCurwen, Henry
History
A History of Booksellers, the Old and the New
Curwen, Henry
Book industries and trade -- Great Britain -- History; Booksellers and bookselling -- Great Britain -- History
51 Novels in 3 Volumes 153 Volumes.
2 ” 4 ” 8 ”
6 ” 2 ” 12 ”
16 ” 1 ” 16 ”
Edited Works 14 ”
Miscellaneous Contributions would fill say 10 ”
---
223 Volumes.
Truly a gargantuan labour! Some of James’s early writings had
attracted the attention of Washington Irving, who strongly advised
the undertaking of some more important work, and as a consequence
“Richelieu” was commenced. After it had received Scott’s approval it
was submitted to Colburn, and published in 1828 with a success that
determined the young author’s future career. We cannot, of course,
follow the progress of the 223 volumes as they issued from the press.
It would be absurd to look for originality in a book-manufacturer
of this calibre, and, as Whipple says, James “was a maker of books
without being a maker of thought.” Still they served their purpose of
enriching the author and publishers, and at a time when the public
appetite was less jaded than at present, his works were eagerly looked
for, and even now many readers agree with Leigh Hunt:--“I hail every
fresh publication of James, though I hardly know what he is going to do
with his lady, and his gentleman, and his landscape, and his scenery,
and his mystery, and his orthodoxy, and his criminal trial.”
In 1826 Colburn published Banim’s “Tales of the O’Hara Family,” a book
that excited a very strong interest in the public mind, and in the same
year he issued “Vivian Grey,” by a young author whose life was to be
as romantic as his story. Mr. Disraeli’s first book contains a curious
confession of his youthful aspirations, and even a curiously exact
prototype of his future life. This was followed in 1831 by the “Young
Duke.” “Bless me!” the elder Disraeli exclaimed when he read this
eloquent account of aristocratic circles, “why the boy has never sat in
the same room as a duke in his life.” Mr. Disraeli’s novels soon became
famous for the portraits or caricatures of distinguished living people,
scarcely disguised under the slightest of all possible pseudonyms; to
those living in the metropolis the likenesses were evident enough, and
a regular key was published to each for the benefit of our country
cousins.
Public-domain text, read in full here on John Shaqi.
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