We have already referred so often to the Scotch publishers, that we can only find room for Glasgow as representing the Scotch provincial trade. Printing was introduced there in the year 1630 by George Anderson, who was succeeded in 1661 by Robert Saunders, and the whole printing business of the West of Scotland (except one newspaper) was carried on by Saunders and his son until 1730, when the art was further improved by R. Uric. Five years later it appears from Morrison’s “Dictionary of Decisions of the Court of Sessions” that a new comer “was debarred from any concern in bookselling within the city of Glasgow, because the place was judged too narrow for two booksellers at a time.” In the teeth of this arbitrary decision Robert Fowlis, who as a young barber had attracted the notice of some of the university professors, and had been encouraged to attend the lectures, opened a book-shop in 1739. In 1743 he was appointed printer to the university, and in the following year he produced his celebrated immaculate edition of “Horace,” which was hung up on the college walls with a reward appended for every mistake discovered. In the course of thirty years they produced as many well printed classics as Bodoni of Parma, or Barbon of Paris, and their books, in exactness and beauty of type, almost rival the Aldine series. They endeavoured to devote the money which their success brought them in to the establishment of an academy for the cultivation of the Fine Arts, but this grand, and then novel, project produced their ruin, without in any way affecting the artistic taste of Scotland. After the death of his younger brother, Robert was compelled to send the collection of pictures to London for sale, and as he was in immediate want of money he insisted upon the auction taking place at a time when the picture market was glutted. The sale catalogue forms three volumes, and yet after all expenses were defrayed the balance in his favour amounted only to fifteen shillings. He died on his way back to Glasgow in 1776.