A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
If the Welshman of this period was somewhat more scantily clothed
than the Irishman, he had the advantage of him, to judge by this
manuscript, in wearing at least one shoe. Our cut No. 114, taken from
it, represents a Welshman armed with bow and arrow, whose clothing
consists apparently only of a plain tunic and a light mantle. This
is quite in accordance with the description by Giraldus Cambrensis,
who tells us that in all seasons their dress was the same, and that,
however severe the weather, "they defended themselves from the cold
only by a thin cloak and tunic." Giraldus says nothing of the practice
of the Welsh in wearing but one shoe, yet it is evident that at the
time of this record that was their practice, for in another figure of
a Welshman, given in our cut No. 115, we see the same peculiarity,
and in both cases the shoe is worn on the left foot. Giraldus merely
says that the Welshmen in general, when engaged in warfare, "either
walked bare-footed, or made use of high shoes, roughly made of untanned
leather." He describes them as armed sometimes with bows and arrows,
and sometimes with long spears; and accordingly our first example of
a Welshman from this manuscript is using the bow, while the second
carries the spear, which he apparently rests on the single shoe of
his left foot, while he brandishes a sword in his left hand. Both our
Welshmen present a singularly grotesque appearance.
[Illustration: _No. 114. A Welsh Archer._]
[Illustration: _No. 115. A Welshman with his Spear._]
[Illustration: _No. 116. A Gascon at his Vine._]
[Illustration: _No. 117. The Wine Manufacturer._]
The Gascon is represented with more peaceful attributes. Gascony was
the country of vineyards, from whence we drew our great supply of
wines, a very important article of consumption in the middle ages.
When the official clerk who wrote this manuscript came to documents
relating to Gascony, his thoughts wandered naturally enough to its
rich vineyards and the wine they supplied so plentifully, and to
which, according to old reports, clerks seldom showed any dislike, and
accordingly, in the sketch, which we copy in our cut No. 116, we have
a Gascon occupied diligently in pruning his vine-tree. He, at least,
wears two shoes, though his clothing is of the lightest description. He
is perhaps the _vinitor_ of the mediæval documents on this subject, a
serf attached to the vineyard. Our second sketch, cut No. 117, presents
a more enlarged scene, and introduces us to the whole process of making
wine. First we see a man better clothed, with shoes (or boots) of much
superior make, and a hat on his head, carrying away the grapes from
the vineyard to the place where another man, with no clothing at all,
is treading out the juice in a large vat. This is still in some of the
wine countries the common method of extracting the juice from the
grape. Further to the left is the large cask in which the juice is put
when turned into wine.
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