A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
It was apparently with the court fool that the costume was introduced
which has ever since been considered as the characteristic mark of
folly. Some parts of this costume, at least, appear to have been
borrowed from an earlier date. The _gelotopœi_ of the Greeks, and
the _mimi_ and _moriones_ of the Romans, shaved their heads; but the
court fools perhaps adopted this fashion as a satire upon the clergy
and monks. Some writers professed to doubt whether the fools borrowed
from the monks, or the monks from the fools; and Cornelius Agrippa,
in his treatise on the Vanity of Sciences, remarks that the monks had
their heads "all shaven like fools" (_raso toto capite ut fatui_).
The cowl, also, was perhaps adopted in derision of the monks, but
it was distinguished by the addition of a pair of asses' ears, or by
a cock's head and comb, which formed its termination above, or by
both. The court fool was also furnished with a staff or club, which
became eventually his bauble. The bells were another necessary article
in the equipment of a court fool, perhaps also intended as a satire
on the custom of wearing small bells in the dress, which prevailed
largely during the fourteenth and fifteenth centuries, especially among
people who were fond of childish ostentation. The fool wore also a
party-coloured, or motley, garment, probably with the same aim--that of
satirising one of the ridiculous fashions of the fourteenth century.
[Illustration: _No. 127a. Court Fools._]
It is in the fifteenth century that we first meet with the fool in
full costume in the illuminations or manuscripts, and towards the end
of the century this costume appears continually in engravings. It is
also met with at this time among the sculptures of buildings and the
carvings of wood-work. The two very interesting examples given in our
cut No. 127a are taken from carvings of the fifteenth century, in the
church of St. Levan, in Cornwall, near the Land's End. They represent
the court fool in two varieties of costume; in the first, the fool's
cowl, or cap, ends in the cock's head; in the other, it is fitted with
asses' ears. There are variations also in other parts of the dress;
for the second only has bells to his sleeves, and the first carries
a singularly formed staff, which may perhaps be intended for a strap
or belt, with a buckle at the end; while the other has a ladle in
his hand. As one possesses a beard, and presents marks of age in his
countenance, while the other is beardless and youthful, we may consider
the pair as an old fool and a young fool.
[Illustration: _No. 128. A Fool and a Grimace-maker._]
Public-domain text, read in full here on John Shaqi.
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