A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
field of the piece), "new money of Adrian, the pope of fools." The
inscription on the other side of the token is one frequently repeated
on these leaden medals, STVLTORV [M] · INFINITVS · EST · NVMERVS, "the
number of fools is infinite." In the field we see Mother Folly holding
up her bauble, and before her a grotesque figure in a cardinal's hat,
apparently kneeling to her. It is rather surprising that we find so
few allusions to these burlesque societies in the various classes
of pictorial records from which the subject of these chapters has
been illustrated; but we have evidence that they were not altogether
overlooked. Until the latter end of the last century, the misereres of
the church of St. Spire, at Corbeil, near Paris, were remarkable for
the singular carvings with which they were decorated, and which have
since been destroyed, but fortunately they were engraved by Millin.
One of them, copied in our cut No. 131, evidently represents the bishop
of fools conferring his blessing; the fool's bauble occupies the place
of the pastoral staff.
[72] "Monnaies inconnues des Evêques des Innocens, des Fous," &c.,
Paris, 1837.
[Illustration: _No. 131. The Bishop of Fools._]
CHAPTER XIII.
THE DANCE OF DEATH.--THE PAINTINGS IN THE CHURCH OF LA CHAISE
DIEU.--THE REIGN OF FOLLY.--SEBASTIAN BRANDT; THE "SHIP
OF FOOLS."--DISTURBERS OF CHURCH SERVICE.--TROUBLESOME
BEGGARS.--GEILER'S SERMONS.--BADIUS, AND HIS SHIP OF FOOLISH
WOMEN.--THE PLEASURES OF SMELL.--ERASMUS; THE "PRAISE OF FOLLY."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account