A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
From an early period, the Roman church had been accustomed to
treat contemptuously, as well as cruelly, all who dissented from
its doctrines, or objected to its government, and this feeling was
continued down to the age of the Reformation, in spite of the tone
of liberalism which was beginning to shine forth in the writings
of some of its greatest ornaments. Some research among the dusty,
because little used, records of national archives and libraries would
no doubt bring to light more than one singular caricature upon the
"heretics" of the middle ages, and my attention has been called to one
which is possessed of peculiar interest. There is, among the imperial
archives of France, in Paris, among records relating to the country of
the Albigeois in the thirteenth century, a copy of the bull of pope
Innocent IV. giving directions for the proceedings against dissenters
from Romanism, on the back of which the scribe, as a mark of his
contempt for these arch-heretics of the south, has drawn a caricature
of a woman bound to a stake over the fire which is to burn her as an
open opponent of the church of Rome. The choice of a woman for the
victim was perhaps intended to show that the proselytism of heresy was
especially successful among the weaker sex, or that it was considered
as having some relation to witchcraft. It is, by a long period, the
earliest known pictorial representation of the punishment of burning
inflicted on a heretic.
[Illustration: _No. 143. Burning a Heretic._]
The shafts of satire were early employed against Luther and his new
principles, and men like Murner, already mentioned, Emser, Cochlæus,
and others, signalised themselves by their zeal in the papal cause.
As already stated, Murner distinguished himself as the literary ally
of our king Henry VIII. The taste for satirical writings had then
become so general, that Murner complains in one of his satires that
the printers would print nothing but abusive or satirical works, and
neglected his more serious writings.
_Da sindt die trucker schuld daran,
Die trucken als die Gauchereien,
Und lassen mein ernstliche bücher leihen._
Public-domain text, read in full here on John Shaqi.
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