A History of Caricature and Grotesque in Literature and ArtWright, Thomas
History
A History of Caricature and Grotesque in Literature and Art
Wright, Thomas
Caricature -- History
[27] See the dissertation by M. Paulin Paris, published in his nice
popular modern abridgment of the French romance, published in
1861, under the title "Les Aventures de Maître Renart et
d'Ysengrin son compère." On the debated question of the origin
of the Romance, see the learned and able work by Jonckbloet,
8vo., Groningue, 1863.
The popularity of the story of Reynard caused it to be imitated in a
variety of shapes, and this form of satire, in which animals acted
the part of men, became altogether popular. In the latter part of the
twelfth century, an Anglo-Latin poet, named Nigellus Wireker, composed
a very severe satire in elegiac verse, under the title of _Speculum
Stultorum_, the "Mirror of Fools." It is not a wise animal like the
fox, but a simple animal, the ass, who, under the name of Brunellus,
passes among the various ranks and classes of society, and notes their
crimes and vices. A prose introduction to this poem informs us that its
hero is the representative of the monks in general, who were always
longing for some new acquisition which was inconsistent with their
profession. In fact, Brunellus is absorbed with the notion that his
tail was too short, and his great ambition is to get it lengthened.
For this purpose he consults a physician, who, after representing to
him in vain the folly of his pursuit, gives him a receipt to make
his tail grow longer, and sends him to the celebrated medical school
of Salerno to obtain the ingredients. After various adventures, in
the course of which he loses a part of his tail instead of its being
lengthened, Brunellus proceeds to the University of Paris to study and
obtain knowledge; and we are treated with a most amusingly satirical
account of the condition and manners of the scholars of that time.
Soon convinced of his incapacity for learning, Brunellus abandons the
university in despair, and he resolves to enter one of the monastic
orders, the character of all which he passes in review. The greater
part of the poem consists of a very bitter satire on the corruptions of
the monkish orders and of the Church in general. While still hesitating
which order to choose, Brunellus falls into the hands of his old
master, from whom he had run away in order to seek his fortune in the
world, and he is compelled to pass the rest of his days in the same
humble and servile condition in which he had begun them.
Public-domain text, read in full here on John Shaqi.
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