The treatment of Champagne after it comes from the wine-press--The racking and blending of the wine--The proportions of red and white vintages composing the 'cuvée'--Deficiency and excess of effervescence--Strength and form of Champagne bottles--The 'tirage' or bottling of the wine--The process of gas-making commences--Details of the origin and development of the effervescent properties of Champagne--The inevitable breakage of bottles which ensues--This remedied by transferring the wine to a lower temperature--The wine stacked in piles--Formation of sediment--Bottles placed 'sur pointe' and daily shaken to detach the deposit--Effect of this occupation on those incessantly engaged in it--The present system originated by a workman of Madame Clicquot's--'Claws' and 'masks'--Champagne cellars--Their construction and aspect--Raw recruits for the 'Regiment de Champagne'--Transforming the 'vin brut' into Champagne--Disgorging and liqueuring the wine--The composition of the liqueur--Variation in the quantity added to suit diverse national tastes--The corking, stringing, wiring, and amalgamating--The wine's agitated existence comes to an end--The bottles have their toilettes made--Champagne sets out on its beneficial pilgrimage round the world. [Illustration] The special characteristic of Champagne is that its manufacture only commences where that of other wines ordinarily ends. No one would recognise in the still brut fluid--which, after being duly racked and fined, has somewhat the taste and colour of an acrid Rhine wine, with a more or less pronounced bitter flavour--that exhilarating essence which is capable of raising the most depressed spirits, and imparting gaiety to the dismallest gatherings. Much as Champagne may stand indebted to Nature, soil, climate, and species of vine, the sparkling fluid has contracted a far greater debt towards man, to whose incessant labour, patient skill, and minute precautions it owes that combination of qualities which causes it to be so highly prized.