A History of Champagne, with Notes on the Other Sparkling Wines of FranceVizetelly, Henry
History
A History of Champagne, with Notes on the Other Sparkling Wines of France
Vizetelly, Henry
Champagne (Wine) -- History; Wine and wine making -- France
Ventilating shafts pass from one tier of cellars to the other, enabling
the temperature in a certain measure to be regulated, and thereby
obviate an excess of breakage. M. Werlé estimates that the loss in
this respect during the first eighteen months of a cuvée amounts to 7
per cent, but subsequently is considerably less. In 1862 one Champagne
manufacturer lost as much as 45 per cent of his wine by breakages. The
Clicquot cuvée is made in the cave of St. William, where 120 hogsheads
of wine are hauled up by means of a crane, and discharged into the vat
daily as long as the operation lasts. The tirage, or bottling of the
wine, ordinarily commences in the middle of May, and occupies fully a
month.
M. Werlé's private residence is close to the establishment in the Rue
du Temple, and here he has collected a small gallery of high-class
modern paintings by French and other artists, including Meissonier's
'Card-players,' Delaroche's 'Beatrice Cenci on her way to Execution,'
Fleury's 'Charles V. picking up the brush of Titian,' various works by
the brothers Scheffer, Knaus's highly-characteristic _genre_ picture,
'His Highness on a Journey,' and several fine portraits, among which is
one of Madame Clicquot, painted by Léon Coignet, when she was eighty
years of age, and another of M. Werlé by the same artist, regarded as
a _chef-d'[oe]uvre_. Before her father's death Madame Clicquot used
to reside in the Rue de Marc, some short distance from the cellars in
which her whole existence centred, in a handsome Renaissance house,
said to have had some connection with the row of palaces that at one
time lined the neighbouring and then fashionable Rue du Tambour.
This, however, is extremely doubtful. A number of interesting and
well-preserved bas-reliefs decorate one of the façades of the house
looking on to the court. The figures are of the period of François
Premier and his son Henri II., who inaugurated his reign with a
comforting edict for the Protestants, ordaining that blasphemers were
to have their tongues pierced with red-hot irons, and heretics to be
burnt alive, and who had the ill-luck to lose his eye and life through
a lance-thrust of the Comte de Montgomerie, captain of his Scotch
guards, whilst jousting with him at a tournament held in honour of the
marriage of his daughter Isabelle with the gloomy widower of Queen Mary
of England, of sanguinary fame.
[Illustration]
[Illustration]
[Illustration]
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