The growth of the small gentry which had its stronghold in the provincial towns and cities, as well as the rise of the merchant class and the liberation of the artisans, are reflected in the new literature of Ming time. While the Mongols had developed the theatre, the novel may be regarded as the typical Ming creation. Its precursors were the stories of story-tellers centuries ago. They had developed many styles, one of which, for instance, consisted of prose with intercalated poetic parts (_pien-wen_). Buddhists monks had used these forms of popular literature and spread their teachings in similar forms; due to them, many Indian stories and tales found their way into the Chinese folklore. Soon, these stories of story-tellers or monks were written down, and out of them developed the Chinese classical novel. It preserved many traits of the stories: it was cut into chapters corresponding with the interruptions which the story-teller made in order to collect money; it was interspersed with poems. But most of all, it was written in everyday language, not in the language of the gentry. To this day every Chinese knows and reads with enthusiasm _Shui-hu-chuan_ ("The Story of the River Bank"), probably written about 1550 by Wang Tao-k'un, in which the ruling class was first described in its decay. Against it are held up as ideals representatives of the middle class in the guise of the gentleman brigand. Every Chinese also knows the great satirical novel _Hsi-yu-chi_ ("The Westward Journey"), by Feng Mêng-lung (1574-1645), in which ironical treatment is meted out to all religions and sects against a mythological background, with a freedom that would not have been possible earlier. The characters are not presented as individuals but as representatives of human types: the intellectual, the hedonist, the pious man, and the simpleton, are drawn with incomparable skill, with their merits and defects. A third famous novel is _San-kuo yen-i_ ("The Tale of the Three Kingdoms"), by Lo Kuan-chung. Just as the European middle class read with avidity the romances of chivalry, so the comfortable class in China was enthusiastic over romanticized pictures of the struggle of the gentry in the third century. "The Tale of the Three Kingdoms" became the model for countless historical novels of its own and subsequent periods. Later, mainly in the sixteenth century, the sensational and erotic novel developed, most of all in Nanking. It has deeply influenced Japanese writers, but was mercilessly suppressed by the Chinese gentry which resented the frivolity of this wealthy and luxurious urban class of middle or small gentry families who associated with rich merchants, actors, artists and musicians. Censorship of printed books had started almost with the beginning of book printing as a private enterprise: to the famous historian, anti-Buddhist and conservative Ou-yang Hsiu (1007-1072), the enemy of Wang An-shih, belongs the sad glory of having developed the