A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
“One night I had just sat down to my books, when suddenly I heard a
sound far away towards the south-west. Listening intently, I wondered
what it could be. On it came, at first like the sighing of a gentle
zephyr ... gradually deepening into the plash of waves upon a surf-beat
shore ... the roaring of huge breakers in the startled night, amid
howling storm-gusts of wind and rain. It burst upon the hanging bell,
and set every one of its pendants tinkling into tune. It seemed like
the muffled march of soldiers, hurriedly advancing, bit in mouth, to
the attack, when no shouted orders rend the air, but only the tramp of
men and horses meet the ear.
“‘Boy,’ said I, ‘what noise is that? Go forth and see.’ ‘Sir,’ replied
the boy on his return, ‘the moon and stars are brightly shining: the
Silver River spans the sky. No sound of man is heard without: ’tis but
the whispering of the trees.’
“‘Alas!’ I cried, ‘autumn is upon us. And is it thus, O boy, that
autumn comes?--autumn, the cruel and the cold; autumn, the season of
rack and mist; autumn, the season of cloudless skies; autumn, the
season of piercing blasts; autumn, the season of desolation and blight!
Chill is the sound that heralds its approach, and then it leaps upon
us with a shout. All the rich luxuriance of green is changed, all the
proud foliage of the forest swept down to earth, withered beneath the
icy breath of the destroyer. For autumn is nature’s chief executioner,
and its symbol is darkness. It has the temper of steel, and its symbol
is a sharp sword. It is the avenging angel, riding upon an atmosphere
of death. As spring is the epoch of growth, so autumn is the epoch of
maturity. And sad is the hour when maturity is passed, for that which
passes its prime must die.
“‘Still, what is this to plants and trees, which fade away in their due
season?... But stay; there is man, man the divinest of all things. A
hundred cares wreck his heart, countless anxieties trace their wrinkles
on his brow, until his inmost self is bowed beneath the burden of life.
And swifter still he hurries to decay when vainly striving to attain
the unattainable, or grieving over his ignorance of that which can
never be known. Then comes the whitening hair--and why not? Has man an
adamantine frame, that he should outlast the trees of the field? Yet,
after all, who is it, save himself, that steals his strength away? Tell
me, O boy, what right has man to accuse his autumn blast?’
“My boy made no answer. He was fast asleep. No sound reached me save
that of the cricket chirping its response to my dirge.”
* * * * *
Public-domain text, read in full here on John Shaqi.
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