A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
“_Southward, in all the panoply
of cruel war arrayed,
See, our heroic general points
and waves his glittering blade!
Across the hills and streams
the lizard-drums terrific roll,
While glint of myriad banners
flashes high from pole to pole....
Go, scion of the Unicorn,
and prove thy heavenly birth,
And crush to all eternity
these insects of the earth;
And when thou com’st, a conqueror,
from those wild barbarian lands,
WE will unhitch thy war-cloak
with our own Imperial hands!_”
The courtesans of ancient and mediæval China formed a class which now
seems no longer to exist. Like the _hetairæ_ of Greece, they were often
highly educated, and exercised considerable influence. Biographies of
the most famous of these ladies are in existence, extending back to the
seventh century A.D. The following is an extract from that of
Hsieh Su-su, who flourished in the fourteenth century, and “with whom
but few of the beauties of old could compare”:--
“Su-su’s beauty was of a most refined style, with a captivating
sweetness of voice and grace of movement. She was a skilful artist,
sweeping the paper with a few rapid touches, which produced such
speaking effects that few, even of the first rank, could hope to excel
her work. She was a fine horsewoman, and could shoot from horseback
with a cross-bow. She would fire one pellet, and then a second, which
would catch up the first and smash it to atoms in mid-air. Or she would
throw a pellet on to the ground, and then grasping the cross-bow in her
left hand, with her right hand passed behind her back, she would let
fly and hit it, not missing once in a hundred times. She was also very
particular about her friends, receiving no one unless by his talents he
had made some mark in the world.”
* * * * *
[Sidenote: CHAO TS’AI-CHI--CHAO LI-HUA]
The poetical effusions, and even plays, of many of these ladies have
been carefully preserved, and are usually published as a supplement to
any dynastic collection. Here is a specimen by CHAO TS’AI-CHI
(fifteenth century), of whom no biography is extant:--
“_The tide in the river beginning to rise,
Near the sad hour of parting, brings tears to our eyes;
Alas! that these furlongs of willow-strings gay
Cannot hold fast the boat that will soon be away!_”
Another specimen, by a lady named CHAO LI-HUA (sixteenth
century), contains an attempt at a pun, which is rather lamely brought
out in the translation:--
“_Your notes on paper; rare to see,
Two flying joy-birds bear;[34]
Be like the birds and fly to me,
Not like the paper, rare!_”
These examples sufficiently illustrate this small department of
literature, which, if deficient in work of real merit, at any rate
contains nothing of an indelicate character.
Public-domain text, read in full here on John Shaqi.
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