A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
By this time all formalities have been gone through and the wedding day
is fixed. It is not to be a grand wedding, but of course there must be
a trousseau. Pao-ch‘ai sometimes weeps, she scarcely knows why; but
preparations for the great event of her life leave her, fortunately,
very little leisure for reflection. Tai-yü is in bed, and, but for
a faithful slave-girl, alone. Nobody thinks much about her at this
juncture; when the wedding is over she is to receive a double share of
attention.
One morning she makes the slave-girl bring her all her poems and
various other relics of the happy days gone by. She turns them over
and over between her thin and wasted fingers until finally she
commits them all to the flames. The effort is too much for her, and
the slave-girl in despair hurries across to the grandmother’s for
assistance. She finds the whole place deserted, but a moment’s thought
reminds her that the old lady is doubtless with Pao-yü. So thither she
makes her way as fast as her feet can carry her, only, however, to be
still further amazed at finding the rooms shut up, and no one there.
Utterly confused, and not knowing what to make of these unlooked-for
circumstances, she is about to run back to Tai-yü’s room, when to
her great relief she espies a fellow-servant in the distance, who
straightway informs her that it is Pao-yü’s wedding-day, and that he
had moved into another suite of apartments. And so it was. Pao-yü had
joyfully agreed to the proposition that he should marry his cousin, for
he had been skilfully given to understand that the cousin in question
was Tai-yü. And now the much wished-for hour had arrived. The veiled
bride, accompanied by the very slave-girl who had long ago escorted her
from the south, alighted from her sedan-chair at Pao-yü’s door. The
wedding march was played, and the young couple proceeded to the final
ceremony of worship, which made them irrevocably man and wife. Then, as
is customary upon such occasions, Pao-yü raised his bride’s veil. For
a moment he seemed as though suddenly turned into stone, as he stood
there speechless and motionless, with fixed eyes gazing upon a face he
had little expected to behold. Meanwhile, Pao-ch‘ai retired into an
inner apartment; and then, for the first time, Pao-yü found his voice.
“Am I dreaming?” cried he, looking round upon his assembled relatives
and friends.
“No, you are married,” replied several of those nearest to him. “Take
care; your father is outside. He arranged it all.”
“Who was that?” said Pao-yü, with averted head, pointing in the
direction of the door through which Pao-ch‘ai had disappeared.
“It was Pao-ch‘ai, your wife...”
“Tai-yü, you mean; Tai-yü is my wife,” shrieked he, interrupting them;
“I want Tai-yü! I want Tai-yü! Oh, bring us together, and save us
both!” Here he broke down altogether. Thick sobs choked his further
utterance, until relief came in a surging flood of tears.
Public-domain text, read in full here on John Shaqi.
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