MA JUNG (A.D. 79-166) was popularly known as the Universal Scholar. His learning in Confucian lore was profound, and he taught upwards of one thousand pupils. He introduced the system of printing notes or comments in the body of the page, using for that purpose smaller characters cut in double columns; and it was by a knowledge of this fact that a clever critic of the T‘ang dynasty was able to settle the spuriousness of an early edition of the _Tao-Tê-Ching_ with double-column commentary, which had been attributed to Ho Shang Kung, a writer of the second century B.C. [Sidenote: TS’AI YUNG--CHÊNG HSÜAN] TS’AI YUNG (A.D. 133-192), whose tippling propensities earned for him the nickname of the Drunken Dragon, is chiefly remembered in connection with literature as superintending the work of engraving on stone the authorised text of the Five Classics. With red ink he wrote these out on forty-six tablets for the workmen to cut. The tablets were placed in the Hung-tu College, and fragments of them are said to be still in existence. The most famous of the pupils who sat at the feet of Ma Jung was CHÊNG HSÜAN (A.D. 127-200). He is one of the most voluminous of all the commentators upon the Confucian classics. He lived for learning. The very slave-girls of his household were highly educated, and interlarded their conversation with quotations from the Odes. He was nevertheless fond of wine, and is said to have been able to take three hundred cups at a sitting without losing his head. Perhaps it may be as well to add that a Chinese cup holds about a thimbleful. As an instance of the general respect in which he was held, it is recorded that at his request the chief of certain rebels spared the town of Kao-mi (his native place), marching forward by another route. In A.D. 200 Confucius appeared to him in a vision, and he knew by this token that his hour was at hand. Consequently, he was very loth to respond to a summons sent to him from Chi-chou in Chihli by the then powerful Yüan Shao. He set out indeed upon the journey, but died on the way. It is difficult to bring the above writers, representatives of a class, individually to the notice of the reader. Though each one wandered into by-paths of his own, the common lode-star was Confucianism--elucidation of the Confucian Canon. For although, with us, commentaries upon the classics are not usually regarded as literature, they are so regarded by the Chinese, who place such works in the very highest rank, and reward successful commentators with the coveted niche in the Confucian temple. FOOTNOTES: [6] An account of the mausoleum built to receive his remains will be found in Chapter iii. of this Book. [7] A famous Minister of Crime in the mythical ages. [8] Contrary to what was actually the case in the Golden Age. CHAPTER II POETRY