A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
So far as China is concerned, the art of writing history may be said
to have been created during the period under review. SSŬ-MA CH’IEN,
the so-called Father of History, was born about B.C. 145. At the age
of ten he was already a good scholar, and at twenty set forth upon a
round of travel which carried him to all parts of the empire. In B.C.
110 his father died, and he stepped into the hereditary post of grand
astrologer. After devoting some time and energy to the reformation of
the calendar, he now took up the historical work which had been begun
by his father, and which was ultimately given to the world as the
Historical Record. It is a history of China from the earliest ages down
to about one hundred years before the Christian era, in one hundred and
thirty chapters, arranged under five headings, as follows:--(1) Annals
of the Emperors; (2) Chronological Tables; (3) Eight chapters on Rites,
Music, the Pitch-pipes, the Calendar, Astrology, Imperial Sacrifices,
Watercourses, and Political Economy; (4) Annals of the Feudal Nobles;
and (5) Biographies of many of the eminent men of the period, which
covers nearly three thousand years. In such estimation is this work
justly held that its very words have been counted, and found to number
526,500 in all. It must be borne in mind that these characters were,
in all probability, scratched with a stylus on bamboo tablets, and that
previous to this there was no such thing as a history on a general and
comprehensive plan; in fact, nothing beyond mere local annals in the
style of the Spring and Autumn.
Since the Historical Record, every dynasty has had its historian, their
works in all cases being formed upon the model bequeathed by Ssŭ-ma
Ch‘ien. The Twenty-four Dynastic Histories of China were produced in
1747 in a uniform series bound up in 219 large volumes, and together
show a record such as can be produced by no other country in the world.
The following are specimens of Ssŭ-ma Ch‘ien’s style:--
(1.) “When the House of Han arose, the evils of their predecessors had
not passed away. Husbands still went off to the wars. The old and the
young were employed in transporting food. Production was almost at a
standstill, and money became scarce. So much so, that even the Son of
Heaven had not carriage-horses of the same colour; the highest civil
and military authorities rode in bullock-carts, and the people at large
knew not where to lay their heads.
Public-domain text, read in full here on John Shaqi.
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