A History of Chinese LiteratureGiles, Herbert Allen
History
A History of Chinese Literature
Giles, Herbert Allen
Chinese literature -- History and criticism
The history by Ssŭ-ma Ch‘ien stops about 100 years before Christ. To
carry it on from that point was the ambition of a scholar named Pan
Piao (A.D. 3-54), but he died while still collecting materials
for his task. His son, PAN KU, whose scholarship was extensive
and profound, took up the project, but was impeached on the ground that
he was altering the national records at his own discretion, and was
thrown into prison. Released on the representations of a brother, he
continued his work; however, before its completion he became involved
in a political intrigue and was again thrown into prison, where he
died. The Emperor handed the unfinished history to PAN CHAO,
his gifted sister, who had been all along his assistant, and by her it
was brought to completion down to about the Christian era, where the
occupancy of the throne by a usurper divides the Han dynasty into two
distinct periods. This lady was also the author of a volume of moral
advice to young women, and of many poems and essays.
[Sidenote: HSÜ SHÊN]
Lexicography, which has since been so widely cultivated by the Chinese,
was called into being by a famous scholar named HSÜ SHÊN (_d._
A.D. 120). Entering upon an official career, he soon retired
and devoted the rest of his life to books. He was a deep student of the
Five Classics, and wrote a work on the discrepancies in the various
criticisms of these books. But it is by his _Shuo Wên_ that he is now
known. This was a collection, with short explanatory notes, of all
the characters--about ten thousand--which were to be found in Chinese
literature as then existing, written in what is now known as the Lesser
Seal style. It is the oldest Chinese dictionary of which we have any
record, and has hitherto formed the basis of all etymological research.
It is arranged under 540 radicals or classifiers, that is to say,
specially selected portions of characters which indicate to some extent
the direction in which lies the sense of the whole character, and its
chief object was to exhibit the pictorial features of Chinese writing.
FOOTNOTE:
[10] Variant “firm,” _i.e._ was firmly laid.
CHAPTER IV
BUDDHISM
The introduction of Buddhism into China must now be considered,
especially under its literary aspect.
Public-domain text, read in full here on John Shaqi.
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