A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
He begins the “Demosthenes” with an excuse for his small knowledge of
Latin, and makes this a pretext for deliberately excluding all literary
and even all oratorical comparison [Sidenote: _The_ Lives _quite barren
for us_.] of the two. Nay, he goes further, and actually upbraids
Cæcilius (apparently the same person whose treatment of the Sublime
Longinus did not like) with having made this. After such a refusal it is
surely idle to contend for any real or strong literary and critical
_nisus_ in the agreeable moralist and biographer of Chæronea. Had there
been any such tendency in him, he simply could not have avoided such a
palmary occasion of giving it course. Even if he really considered
himself incompetent to deliver an opinion of Cicero, he would have had
something to say about Demosthenes even if this declared incompetence
was only a disguise for the reluctance to treat Latin literature
seriously, which is so noticeable in Greeks, this would not invalidate
the reasoning.
Let us, however, for the sake of the argument, and out of pure
generosity, accept his excuse, put the _Lives_ out of the question, and
turn to the _Moralia_.[194] As has been [Sidenote: _The_ Moralia _at
first sight promising_.] said above, if we do not find literary
criticism, and good literary criticism, in such a collection of a man’s
work, it must be either because he has no taste for it, or because he
has the taste without the faculty. For the collection is very large, and
it is almost absolutely miscellaneous: the mere title _Moralia_ is
nothing more than an unauthorised ticket, and has really nothing to do
with the contents. Neither Montaigne nor De Quincey takes a more
absolute liberty of speaking on any subject that happens to strike his
fancy than Plutarch. And it cannot be said that at least some of his
subjects are without direct connection with criticism. The two opening
papers, “On the Education of Children” and "How a young man should read
[“listen to,” literally, but this means what we mean by "read"] the
Poets," would seem, the one almost necessarily (considering the humanism
of ancient education), and the other inevitably, to lead to the subject.
The next on “Hearing” (_i.e._, “Reading”) generally, might even seem to
strengthen the necessity. Many of the [Sidenote: _Examination of this
promise._] other titles are promising, and, both in the nature of the
case and from what we know of the general course of ancient table-talk,
the bulky volume of _Symposiac Questions_ might seem likely to be most
prolific, while it is actually not infertile in matter of our kind. Let
us examine what is the performance of these promises.
Footnote 194:
I use the Teubner edition by Hercher and Bernardakis, 5 vols., Leipsic
(1872-1893).
Public-domain text, read in full here on John Shaqi.
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