A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
even of that.
It does not fall within the plan of this work to examine at any length
the recently much-debated question whether the [Sidenote: _Longinus: the
difficulties raised._] treatise Περὶ Ὕψους is, as after its first
publication by Robortello in 1554 it was for nearly three centuries
unquestioningly taken to be, the work of the rhetorician Longinus, who
was Queen Zenobia’s Prime Minister, and was put to death by Aurelian. It
has been the mania of the nineteenth century to prove that everybody’s
work was written by somebody else, and it will not be the most useless
task of the twentieth to betake itself to more profitable inquiries.
References which will enable any one who cares to investigate the matter
are given in a note.[216] Here it may be sufficient to say two things.
The first is, that these questions appertain for settlement, less to the
technical expert than to the intelligent _judex_, the half-juryman,
half-judge, who is generally acquainted with the rules of logic and the
laws of evidence. The second is, that the verdict of the majority of
such _judices_ on this particular question is, until some entirely new
documents turn up, likely to be couched in something like the following
form:—
1. The positive evidence for the authorship of Longinus is very weak,
consisting in MS. attributions, the oldest of which[217] is irresolute
in form, while it certainly does not date earlier than the tenth
century.
2. There is absolutely no _evidence_ against the authorship of Longinus,
only a set of presumptions, most of which are sheer opinion, and carry
no weight except as such. Moreover, no plausible competitor has even
been hinted at. I hope it is not illiberal to say that the suggestion of
Plutarch, which was made by Vaucher, and has met with some favour,
carries with it irresistible evidence that the persons who make it know
little about criticism. No two things could possibly be more different
than the amiable ethical knack of the author of the _Moralia_, and the
intense literary gift of the author of the Περὶ Ὕψους.
Footnote 216:
The most elaborate discussion of the whole matter still is that of
Vaucher (Geneva, 1854). The editions I myself use are those of Toup
(Oxford, 1778); Egger (Paris, 1837), a particularly handy little
volume, _with the fragments_; and Prof. Rhys Roberts (Cambridge,
1899), with translation and full editorial apparatus. Those who do not
read the Greek lose much: but they will find a good (though somewhat
too free) translation, with an excellent introduction by Mr Andrew
Lang, in the work of Mr H. L. Havell (London, 1890).
Footnote 217:
Διονυσίου ἢ Λογγίνου of the Paris MS. 2036. (Others even have
ἀνωνύμου.) Robortello intentionally or unintentionally dropped the η,
thereby putting students off the scent.
Public-domain text, read in full here on John Shaqi.
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