A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
“Again, he is wanting in ethical character and truth and nervousness of
style (γοργότης.) Of sublimity, so far as it suits political discourses,
he mixes a very good dose, and suitably to his clearness. But his style
is more languid[263] than it ought to be. And he is not least blamed for
attention to trifles, and a balancing of clauses[264] which disgusts.
But we say this in reference to the excellence of his speeches, pointing
out what fails, and is exceptional in them, inasmuch as in comparison
with some of those who have made bold to write speeches, even his
shortcomings would appear to be excellence.”
Footnote 263:
ἄτονος.
Footnote 264:
σμικρολογία καὶ τὸ προσκορὲς τιον παρισώσεων. It is needless to say
that this προσκορὲς, this “satiated nausea” of the balanced antithetic
sentence, has recurred as regularly as the resort to the most obvious,
and, so long as it is fresh, most effective, of rhetorical devices.
Immediately before this article on Isocrates there is a very shrewd note
(and one which is “for thoughts” to any one who has ever written books)
on the _Sophistike Paraskeue_ of Phrynichus. “This writer, if any ever
was, is fullest of various knowledge, but otherwise redundant and
garrulous: _for when it was open to him to have got the matter
completely finished off, without missing a single important point, in
not a fifth part of his actual length, he, by saying things out of
season, has stretched it out to an unmanageable bulk; and while he has
collected for others' use the matter of a good and suitable treatise, he
cannot be said to have made much use of it himself_.”
It would be possible to extend these excerpts and abstracts very
considerably from my notes of reading the great mass of the
_Bibliotheca_; though the larger part of that mass is itself made up,
not of literary criticisms at all, but, as has been said, of summaries,
abstracts, and extracts. In not a few cases the longest articles deal
with commentaries or anthologies, the Platonic studies of the
rhetorician Aristides, the _meletæ_ or declamations of Himerius, the
_Bibliotheca_ of Diodorus, the fortunately still extant
Commonplace-books of Stobæus, and the like. But the foregoing pages have
probably given sufficient foundation for a study of the Photian
position, which may be taken, without rashness, as a very favourable
representative of Byzantine criticism generally.[265]
Footnote 265:
And it cannot be too often repeated that when Byzantine men of letters
were not criticising they were often doing something better _for us_.
He would be a sorry critic himself who would not give a wilderness of
all but the very greatest members of his own class for John Stobæus or
Constantine Cephalas.
Public-domain text, read in full here on John Shaqi.
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