A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
“’Twould be long,” he says, “to track them all out—those whose life
draughts, or ball-playing, or the practice of carefully cooking their
flesh in the sun, has caused to waste away. They are not exactly lazy
people, since their pleasures give them a great deal of trouble. For
nobody can doubt that they make much ado about nothing, who are detained
by the study of useless letters—there is a considerable company of them
among us Romans. It has been a mania of the Greeks to inquire how many
rowers Ulysses had, whether the _Iliad_ was written earlier than the
_Odyssey_, further, whether the two are by the same author, and other
matters of the same stamp, which, if you keep to yourself, they will not
help your silent conscience, while, if you talk about them, you will
seem not more learned but only more of a bore.”
The rest of the chapter draws up a long list of similar enormities of
curiosity—historical and literary. “Who had the first naval triumph?”
&c. Seneca even ironically supplies questions of the kind, and
information about them, to those who like such things. Elsewhere in the
88th (the third of the thirteenth book)[313] of those not disagreeable
epistles which he composed for the edification of a man of straw called
Lucilius, and for the display of his own ability, he supposes the
definite question to be put to him, “What do you think of liberal
studies?” and he goes off at score in the true style of the Stoic
pulpit. He respects none, counts none as good. They are all very well as
exercises, as preparations; you may stick to them as long as you can do
nothing better. They are called “liberal,” as worthy of a free man: but
there is only one study worthy of a freeman (does one not hear the very
drone of the ancestor of Mr Chadband?), and that is the study of WISDOM.
All else is petty and puerile: it has nothing to do with making a GOOD
man. Will the grammarian, who, if he does not stick to mere philology,
goes to history or, at farthest, to poetry, be a road-maker for us to
VIRTUE, my brethren? Will syntax and prosody banish fear, quench
cupidity, bridle lust? And so forth. He makes, indeed, not bad fun of
the attempts to make out Homer now a Stoic, now an Epicurean, now a
Peripatetic. But he soon relapses into the “chaff and draff” of the
conventional moralists at all times. What are the tempests that impelled
Ulysses to the storms of the mind? What does it matter whether Penelope
was chaste? Teach me what Chastity _is_. _Et patati et patata._ From a
man in this frame of mind comes no good critical thing; though we
certainly should like to have heard from the Tragedian, whoever he was,
what put into his head the idea of that remarkable compromise between
Classic and Romantic Tragedy which gave us the Latin _Hippolytus_ and
the _Octavia_.
Footnote 313:
Ed. cit., iii. 246 _sq._
Public-domain text, read in full here on John Shaqi.
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