A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
But the most famous of Pliny’s letters in connection with this subject
is the twentieth of the first book,[358] to Tacitus, in which he deals
with a set question of literary criticism. “A certain learned and
skilful man” maintains that in oratory brevity is everything. In certain
cases, Pliny admits, but only in certain cases. The adversary objects
Lysias among the Greeks, the Gracchi and Cato among the Romans. Pliny
retorts with Demosthenes, Æschines, Hyperides, Pollio, Cæsar, Cælius,
Cicero. Indeed he does not fear to lay it down as a general principle,
“the bigger the better.”[359] The adversary says that the orators spoke
less than they published. Pliny dissents. And then he discusses the
matter generally—from the point of view of oratory in the main, but
partly also from that of literature. And his general view, like that of
his generation (I hardly know whether to include his master Quintilian
or not), may be taken as put in the phrase, _Non enim amputata oratio et
abscissa, sed lata et magnifica et excelsa tonat, fulgurat, omnia
denique perturbat ac miscet_.[360]
Footnote 358:
P. 16.
Footnote 359:
_Ut aliæ bonæ res, ita bonus liber melior est quisque, quo major._
Footnote 360:
This letter contains an interesting _mot_ of Aquilius Regulus, the
brilliant and questionable orator-informer, of whom Pliny frequently
speaks with a sort of mixture of admiration and dislike, reminding one
of the way in which men used to speak of Lord Chancellor Westbury.
“You,” said Regulus to him, “hunt out everything in your brief. I see
the throat at once, and go for it”—_ego jugulum statim video, hunc
premo_. There is some point in Pliny’s retort that people who do this
not infrequently hit knee or ankle instead.
The third letter of the second book is a set panegyric of Isæus,[361]
which would be of more interest if criticisms of orators were not so
common; the fifth of the third is the notice of the life, literary and
other, of Pliny the Elder. The obituary criticism of Martial, to which
reference has been made, occurs in the 21st of this third book, and is a
little patronising. But the contemner of brevity, even if he were a
private friend and a flattered one, and if he had (as most Romans would
have had) no objection to Martial’s freedom of subject and language,
could hardly be expected to do full justice to the epigrammatist.
Footnote 361:
_Not_ the great Attic; but an Assyrian rhetor of Pliny’s own time,
supposed to be also referred to by Juvenal in the well-known phrase,
_Isæo torrentior_ (iii. 74).
Public-domain text, read in full here on John Shaqi.
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