A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Perhaps Claudian is a little overparted with the
“mind of Virgil and the Muse of Homer.” But all decadences are given to
exaggeration of this kind; and the reviews of the closing years of the
nineteenth century in England will furnish much more extravagant
instances of comparison.
Footnote 87:
I use the ed. of Jacobs, Leipsic, 1794, 10 vols. (nominally 3 vols. of
Commentary, in 7 parts, 4 vols. of text, and 1 of Indices).
Footnote 88:
Ep. Adesp., 454, ed. cit., Text, iv. 214.
Footnote 89:
Ibid., Ep. 468, p. 218.
Footnote 90:
Ibid., p. 221 _sq._
Footnote 91:
_V._ Bergk, _Poet. Lyr._, iii. 143.
The work of known, or at least named, individuals is less noteworthy in
bulk, and not much more so in kind and degree. The right happy industry
of Meleager appears to have helped in preserving for us no small
proportion of the minor work of the great men of old. But his own
quintessenced and not seldom charming pen is devoted to subjects always
less solemn, and sometimes very much less worthy, than literature. These
elders themselves (as indeed we should expect) meddle with literature
but rarely; while their successors, the early Alexandrians, are less
copious than we might have expected. Simmias of Thebes (perhaps not the
same who outraged[92] the feelings of neo-classic critics, from Addison
downwards, two thousand years later, by composing verse-eggs and
-hatchets) has left us a couple of elegant and regular, though rather
vague and slight, epigrams on Sophocles;[93] Philiscus of Miletus, who
was at least old enough to be a pupil of Isocrates, a pompous eulogium
of Lysias;[94] while no less a person than Thucydides has the credit of
one[95] on the Third Tragedian, which if extravagant in tone is neat in
expression. Of the compliments[96] to Aristophanes and Sappho, which are
similarly attributed to Plato, the former, with its consecration of the
soul of the great comic poet as the _temenos_ of the Graces, is far the
better. But the nearest approach to literature among the verses
attributed to Plato’s mightiest rival is a quaint bundle (no small
one)[97] of epitaphs on the Homeric heroes. Of course these attributions
are in all cases very doubtful, and possibly not in a single one
correct; but the fact of them for literary history remains the same.
Footnote 92:
He is generally called Simmias the _Rhodian_. But some speak of the
two as identical.
Footnote 93:
Ibid., i. 100.
Footnote 94:
Ibid., i. 101.
Footnote 95:
Ibid., i. 102.
Footnote 96:
Ibid., i. 102, 103.
Footnote 97:
Ibid., i. 111-117. There are 48 of them. Aristotle had versatility
enough to do them, but they do not _read_ like him.
Public-domain text, read in full here on John Shaqi.
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