A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Piccolomini’s book,[145] which is a compact small quarto of 422 pages,
differs in arrangement from Castelvetro’s merely in not giving the
Greek—the _particelle_ of the original in translation being followed by
solid blocks of _annotationi_. [Sidenote: _Piccolomini._] The author was
of that well-known type of Renaissance scholar which aspired to a
generous if perhaps impossible universalism; and as he puts this
encyclopædic information at the service of his notes, they are naturally
things not easily to be given account of in any small space, or with
definite reference to a particular subject. That Piccolomini, however,
was not destitute of acuteness or judgment to back his learning,
reference to test passages will very easily show. He has not allowed the
possible force of the μᾶλλον, for instance, to escape him in the
Homer-and-Empedocles passage referred to a little earlier—indeed Maggi
had put him in the right way here. But, in this and other cases, he is
somewhat too fond of “hedging.” “We must remember this; but we must not
forget that,” &c. The inspiriting downrightness of Scaliger on the one
side, and Patrizzi on the other, is not in him; and we see the approach,
in this subject also, of a time of mere piling up of authorities, and
marshalling of arguments _pro_ and _con_, to the darkening rather than
the illumination of judgment.
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Footnote 145:
_Annotationi di M. Alessandro Piccolomini nel Libro della Poetica
d’Aristotele_: Vinegia. The dedication to Cardinal Ferdinand dei
Medici is dated Ap. 20, 1572, from Piccolomini’s native town of
Sienna, where he became co-adjutor-archbishop. Some of Salviati’s MS.
observations, printed by Mr Spingarn, seem to show that even
Piccolomini’s contemporaries regarded him as a little too
_polymathic_, while his _Raffaella_ exhibits the less grave side of
the Renaissance. But he was now getting an old man, and died six years
later at the full three score and ten.
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Public-domain text, read in full here on John Shaqi.
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