A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Vauquelin de la Fresnaye has not this sudden cry of the voice in the
desert: but his _Art Poétique_ is, as a whole, a book of infinitely
greater interest and value than Laudun’s. Vauquelin was a gentleman and
lawyer of Normandy, who, born at the _château_ whence he took his name,
near Falaise, fought, amused himself, loved the country and its sports,
became President at Caen, and wrote verses of no small merit in various
kinds. [Sidenote: _Vauquelin de la Fresnaye._] His _Art Poétique_ was
more than thirty years on the stocks: and having had its keel laid in
1574, when the _Pléiade_, though a quarter of a century old, was still
in full flourishing, did not get launched till 1605, when a new age had
begun in more than chronological fashion. It is a composition of
considerable bulk, consisting of three books, each running to rather
under twelve hundred lines. Either of deliberation, or as a result of
intermittent attention during the time in which it was a-preparing,
Vauquelin arranged it (or failed to arrange it) in most admired
disorder. The precisians of the next age would have been horrified at
the promiscuous character of its observations; and some would have been
grateful to its latest editor[186] if, in addition to, or instead of,
part of the elaborate and very valuable _apparatus criticus_ of various
kinds which he has given, he had prefixed an argument. As it is, we must
make one: for the book, if not one of our very greatest _points de
repère_, is yet such a point.
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Footnote 186:
M. Pellissier, to whose already cited edition the references following
are made.
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Public-domain text, read in full here on John Shaqi.
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