A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
everything—to insist not merely that the work shall be good, but that it
shall be good according to sealed patterns, in choice of subject as well
as in method, in method as well as in form, in form as well as in
language.
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Footnote 305:
There was, however, a remnant. Even Balzac called him “Le tyran des
mots et des syllabes;” even Chapelain recognised (acutely enough) the
fact that his methods were rhetorical rather than poetical; even
Tallemant practically summed him up, once and for all, in the words,
“Il n’avait pas beaucoup de génie: la méditation et l’art l’ont fait
poëte.” But the majority and the hour were with him.
-----
There can be very little doubt that the private discussions which, as we
know from Racan, Malherbe used, for years before his death, to hold with
Racan himself and others, and the letters which he also exchanged with
younger men, had a very great deal to do with the wide development of
criticism in the second third of the century. [Sidenote: _The diffusion
of seventeenth century criticism._] The fact of this development is
certain; it is vouched for by the appearance of literary subjects in the
_Ana_, and in Tallemant’s _Historiettes_, by the foundation of the
Academy, by the _Cid_ quarrel, practically by almost everything we know
of the time that concerns literature. But we must deal, according to our
wont, with the matter _par personnages_. Of such personages we have, in
the first place, Vaugelas, Balzac, Ogier, and Chapelain, to whom we may
join Ménage, Gui Patin, Tallemant himself, and the far greater names of
Saint-Evremond and Corneille. Then we can take Boileau—at least in
reputation one of the culminating points or personages of our
history—and the less exclusively critical deliverances of La Bruyère, of
Fénelon, and of Malebranche; can give some account of the
Quarrel—tenacious of life, if scarcely vivacious—of the Ancients and
Moderns; diverge to the scholastic and somewhat dismal but important
performances of La Mesnardière and others, of Hédelin and Le Bossu,
Rapin and Bouhours, and end by some account of the miscellaneous
compilations and observations of journalists and _savants_. The matter
is abundant in all conscience; it is at least sufficiently varied, and
the real greatness of some at least of the persons concerned should save
it from being insipid.
Public-domain text, read in full here on John Shaqi.
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