A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
But even in this censure it is possible, even for one who frankly puts
Corneille at the head of all French Tragedy, to acknowledge some
critical merits. The first (not perhaps quite the least) of these is
that it is strictly _civil_; the second is that, meticulous, purblind,
peddling, prudish—a score of similar epithets if you please—as it is, it
does adopt an intelligible code of critical judgment, and does apply
that code with legal propriety. Moreover, as we have seen, it is quite a
mistake to represent this code as being invented for the
occasion—suddenly foisted upon France to gratify the envy of Scudéry and
Mairet, or the less excusable malignity of Richelieu. The code had been
growing for more than a century; it had been gaining wider and wider
acquiescence every day; the protests against it, however gallantly made,
had fallen practically unheard. Eight years before we have Ogier
explicitly admitting it as the code of _nos critiques_—as the accepted
opinion. We may be fully entitled—some of us intend, for us and for our
house, to do so, whether entitled or not—to hold the Unities things
vainly invented in two cases, and mischievous, if exclusively and
universally enforced, in the third.[318] We may think the objections to
Corneille’s diction hypercritical, and the objection to Chimène’s
conduct utterly absurd.[319] But Chapelain, and those about Chapelain,
were also quite entitled to think differently, and there is no reason to
believe their opinion feigned, though they might not have put it so
forcibly save to curry favour with the Cardinal. After all, Corneille
hardly disputed their verdict except in detail; and, whether luckily or
unluckily, tried to do as they told him afterwards.
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Footnote 318:
Of course there is much to be said for them, rightly understood, from
the point of view of mere _theatrical_ arrangement: while mediocre
writers are more safely to be trusted with than without them. But we
are speaking of _literature_, not the theatre; and in literature the
weak brother is rather a nuisance to be extirpated, than a person to
be provided for, or conceded to.
Footnote 319:
M. Jules Lemaître’s article on the subject in Petit de Julleville (iv.
273 _sq._) most ingenuously cites the virtuous authority of M. Dumas
_fils_ in support of Chapelain, and is not far from opining in the
same sense. It is always difficult for a Frenchman to pardon an honest
love. If Chimène had been married and Rodrigue her gallant, it would
have been quite different. She might have overlooked the blood of
20,000 fathers.
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