A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Not in the general edition above cited. My copy is that of Cologne,
1695, with no printer’s name, but with a nice red and black
title-page, an agreeable frontispiece (representing Joseph Justus, in
a chair and a long beard, addressing attentive standing periwig-pated
persons), and (as a MS. note of a former possessor informs me) a great
deal of matter not in any other ed.
-----
Another member of the group to be noted very especially is the so-called
_Parrhasiana_,[351] in the title of which “Théodore Parrhase” stands for
a _nom de guerre_ of the industrious pressman Jean Le Clerc. [Sidenote:
_and_ Parrhasiana.] It has very little in common with its class, being
in part a reasoned treatise on general points of criticism, in part a
defence of the author’s own works against the injurious remarks of
Meibomius and others. The latter we can neglect; the former contains a
really interesting exposition of general critical views by one of the
most experienced of the new class of professional critics and reviewers
at the junction of the seventeenth and eighteenth centuries. The
distinction of the _Parrhasiana_ is that it has so little
distinction—that it is so thoroughly normal. Le Clerc is a thorough
believer in the Ancients; but he wears his rue with this difference,
that he does _not_ believe in moderns who write Greek and Latin Verses,
and that he is quite handsome and encouraging to those who do write in
their mother tongue. They may be quite, or almost, as useful, he
thinks—but as for reading for mere amusement, that is not a serious
occupation. And Le Clerc is uncompromising in the prosaism of his views
on poetry. In fact, I am not sure that there is anywhere else so _naïf_
a confession of belief in the Lower Reason only. He finds
improbabilities and absurdities, not merely in Homer, but in Virgil
himself; he holds _æternum servans sub pectore vulnus_, which some not
very fervid Maronites would admit as a great and poetic phrase, to be a
mere surplusage; and he actually condoles with poets on the unlucky
necessity under which they lie of inversions, metaphors, and so forth,
_metri gratia_. I do not know whether Mr Arnold knew the _Parrhasiana_,
and indeed should doubt it; but he certainly might have found chapter
and verse for his strictures on the age of “prose and sense” almost
anywhere in it.
-----
Footnote 351:
Also not in the collection. My copy is the Amsterdam edition, 2 vols.,
1699.
-----
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account